Jump to content

Palace Theatre (New York City)

Coordinates: 40°45′32″N 73°59′05″W / 40.758842°N 73.984728°W / 40.758842; -73.984728
This is a good article. Click here for more information.
From Wikipedia, the free encyclopedia

Palace Theatre
Palace Theatre, 2024
Map
Address1564 Broadway
Manhattan, New York City, New York
U.S.
Coordinates40°45′32″N 73°59′05″W / 40.758842°N 73.984728°W / 40.758842; -73.984728
OwnerNederlander Organization and Stewart F. Lane
OperatorNederlander Organization
TypeBroadway theatre
Capacity1,648[a]
Construction
OpenedMarch 24, 1913 (111 years ago) (1913-03-24) (vaudeville)
January 29, 1966 (58 years ago) (1966-01-29) (Broadway theater)
Rebuilt1987–1991, 2018–2024
Years active1913–1932 (vaudeville)
1932–1965 (movie palace)
1966–present (Broadway)
ArchitectKirchhoff & Rose
Website
broadwaydirect.com/venue/palace-theatre
DesignatedJuly 14, 1987[1]
Reference no.1367[1]
Designated entityAuditorium interior

The Palace Theatre is a Broadway theater at 1564 Broadway, at the north end of Times Square, in the Midtown Manhattan neighborhood of New York City. Designed by Milwaukee architects Kirchhoff & Rose, the theater was funded by Martin Beck and opened in 1913. From its opening to about 1929, the Palace was considered among vaudeville performers as the flagship venue of Benjamin Franklin Keith and Edward Franklin Albee II's organization. The theater had 1,648 seats[a] across three levels as of 2018.

The modern Palace Theatre consists of a three-level auditorium at 47th Street, which is a New York City designated landmark. The auditorium contains ornately designed plasterwork, boxes on the side walls, and two balcony levels that slope downward toward the stage. When it opened, the theater was accompanied by an 11- or 12-story office wing facing Broadway, also designed by Kirchhoff & Rose.

The Palace was most successful as a vaudeville house in the 1910s and 1920s. Under RKO Theatres, it became a movie palace called the RKO Palace Theatre in the 1930s, though it continued to host intermittent vaudeville shows in the 1950s. The Nederlander Organization purchased the Palace in 1965 and reopened the venue as a Broadway theater the next year. The theater closed for an extensive renovation from 1987 to 1991, when the original building was partly demolished and replaced with the DoubleTree Suites Times Square Hotel; the theater was reopened within the DoubleTree in 1991. The DoubleTree Hotel was mostly demolished in 2019 to make way for the TSX Broadway development. As part of this project, the Palace closed again in 2018 and was lifted 30 feet (9.1 m) in early 2022. The renovation was completed in May 2024.

Buildings

[edit]

The Palace Theatre is at 1568 Broadway, at the southeast corner of Seventh Avenue and 47th Street, in the Theater District of Midtown Manhattan in New York City. It faces Duffy Square, the northern end of Times Square. The theater's site abuts the I. Miller Building and Embassy Theatre to the south.[2]

The Palace Theatre was designed by Milwaukee architects Kirchhoff & Rose and was completed in 1913.[2] The theater was funded by Martin Beck, a vaudeville entrepreneur.[3][4] The theater has been housed in three buildings over the years. While the interior space dates to the 1913 design by Kirchhoff & Rose, the original theater building was partly demolished in 1988[5][6] and the theater space was renovated inside the DoubleTree Suites Times Square Hotel, completed between 1990 and 1991.[2] The DoubleTree Hotel was itself demolished in 2019 to make way for the TSX Broadway development.[7][8]

Original building

[edit]

The Palace Theatre was originally composed of an office wing along Times Square, as well as the theater wing on 47th Street that contained the auditorium.[9][10] The original building's site was assembled from ten land lots at 1564–1566 Broadway and 156–170 West 47th Street, which were arranged in an "L" shape.[11][12] The Broadway lots collectively measured 40 by 80 feet (12 by 24 m), while the 47th Street lots measured 137 by 100 feet (42 by 30 m).[9][13] This structure was designed by Kirchhoff & Rose, with James J. F. Gavigan as an associate architect. The steelwork was constructed by the George A. Just Company.[10][14]

Original foyer

The office wing was an 11-story[9][15] or 12-story structure, which served as the theater's main entrance.[10][14] In the original building's later years, the entrance had a marquee.[15] The office wing had an ornate marble facade, as well as two public elevators and a private one inside.[9] The theater entrance was 40 feet (12 m) wide and contained an outer lobby with either Pavanazzo[15][16] or yellow Carrara marble[17] and a Siena-marble inner lobby.[15][16][17] The lobbies were accessed by two sets of stained-glass, bronze-framed screen doors.[15][16] There were stairs to the upper floors in the inner lobby. Past the two lobbies was a foyer that led directly to the auditorium (see Palace Theatre (New York City) § Auditorium).[18]

The theater wing measured 88 by 125 feet (27 by 38 m).[10][14] It had a brick or terracotta facade on 47th Street.[9][15] The interior had French decorations.[9] The auditorium originally had a seating capacity of 1,820, with double balcony levels and 20 boxes arranged in tiers.[19] It was characterized as having an ivory-and-bronze color scheme.[15][16][17] Five massive girders spanned the auditorium; each measured 86 feet (26 m) long and 8 feet (2.4 m) deep, weighing 30 short tons (27 long tons; 27 t).[10][14] There were also 32[16] or 36 dressing rooms.[9]

DoubleTree Suites

[edit]

An Embassy Suites hotel (later a DoubleTree Suites), designed by Fox & Fowle,[20][21][22] was built on the site between 1987 and 1991, replacing the office wing on Broadway.[2] The hotel had 460 suites and was 43 stories tall.[21][23][24][b] The theater's facade was almost entirely hidden behind 10,000 square feet (930 m2) of billboards[24] for the first 120 feet (37 m) of the hotel's height, as per zoning regulations governing buildings on Times Square.[20][21][26] The hotel leased the unused air rights above the Palace Theatre to achieve a greater height than would normally be allowed under zoning regulations.[25][27] The hotel was placed above and around the theater's original auditorium and stage house.[28][29] The hotel rooms were supported by four steel-and-concrete "super columns",[21][29] which each measured 145 feet (44 m) tall and were placed to the west and east of the auditorium.[24][29] Resting on the columns were two concrete-encased steel trusses, measuring 130 feet (40 m) long by 57 feet (17 m) tall[24] and connected by 17 crossbeams.[29]

The theater's lobby, as well as the hotel's entrance and some retail shops, were on the ground story.[21][29] The entrance to the theater was at approximately the same location as in the original building,[26] and the lobby from the old office wing was preserved.[24] The theater lobby was divided into two sections leading into a foyer.[30] Above that was a five-story atrium with some of the hotel's public spaces, which were placed between the beams,[21][24][29] and 36 guestroom stories.[21] A 12-foot-wide (3.7 m) emergency exit[29] was preserved on the eastern side of the theater.[29][30] Within the theater itself, mezzanine restrooms, an air-conditioning system, and an elevator to the second balcony were installed.[31] Furthermore, the backstage facilities were enlarged.[24][31] The Palace Theatre's original facade on 47th Street, consisting of rusticated limestone blocks at the first floor and brick on the upper stories, still remained but was not protected as a New York City landmark.[32] The theater's lobby was also not protected as a landmark.[33]

TSX Broadway

[edit]
Main article: TSX Broadway

During the late 2010s and early 2020s, the DoubleTree/Palace site was redeveloped as part of TSX Broadway, a $2 billion mixed-use structure with a 669-room hotel, which was built around, above, and below the Palace's auditorium.[34][35] The new structure retains the lowest 16 stories of the DoubleTree structure.[36][37][33] The area occupied by the 1987 lobby was replaced with retail space, extending three levels below ground. This required the auditorium to be raised by about 30 feet (9.1 m).[37][35][36][c] The auditorium is supported by columns that, in turn, rest on caissons extending 45 feet (14 m) deep.[40]

About 10,000 square feet (930 m2) of back of house space was created as part of the project.[41][36][42] The main entrance was also relocated to 47th Street, where the facade was raised[43][44] and a marquee sign was installed.[45] Escalators along 47th Street[46] connect the new entrance to a new orchestra-level lobby next to the raised auditorium.[41] In total, the theater was expanded from 40,000 to 80,000 square feet (3,700 to 7,400 m2).[47]

Auditorium

[edit]
Auditorium, facing the proscenium

The auditorium, which the New York City Landmarks Preservation Commission (LPC) has protected as a city landmark,[48][49] is the only portion of the original theater that survives.[2][49] It is placed in a rigid enclosure that is structurally separate from the buildings within which it has been housed.[39][43] The auditorium has boxes, two balconies above an orchestra level, and a large stage behind an oversized proscenium arch. The auditorium's width is slightly greater than its depth. The foyer and lobby were designed with plaster decorations in high relief, which alluded to the vaudeville presented at the Palace, while the stage itself was originally sloped.[15] Though the auditorium's orchestra level was originally at the ground story,[49] it was raised to the third story when TSX Broadway was built.[36][42]

The New York Times described the auditorium as "Baroque with Beaux-Arts influences".[42] Many of the original design features were removed over the years and were restored in the 2020s using plaster molds and historical photographs.[42]

Seating areas

[edit]

As of 2024, the theater has 1,648 seats;[42] prior to its closure in 2018, the auditorium had 1,743 seats.[50][51][52][a] The orchestra level has a raked floor that slopes downward toward the stage. Both balcony levels have curved fronts and cantilever above the orchestra, sloping downward toward the stage.[54] All three levels contain promenades, which have cornices on their ceilings. Staircases behind each promenade connect the three levels of seating.[55] One of the staircases was nicknamed the "Judy Garland staircase" because the actress Judy Garland would use it for surprise entrances. In addition, an elevator connects all three seating levels.[42]

The first balcony level extends half the depth of the orchestra and contains two staircases about halfway through.[54] The front of the balcony has decorative moldings with classical masks, while its underside contains plaster moldings of ropes.[56] The second balcony contains rope moldings on its underside, which form a rectangular pattern. The front edge of the second balcony's underside contains guilloche moldings interspersed with oak branches, above which are decorative moldings with masks. The second balcony's side walls have decorative pilasters that support a frieze, as well as exit doors with curved pediments.[57] The ceiling of the second balcony has ventilation grates, which are not part of the original design.[58][59]

Original floor plan from 1913

The orchestra level has boxes on either side, divided by white-marble barriers with black-marble baseboards.[57] On either side of the proscenium are arched niches with a doorway at orchestra level and a box at the first balcony level.[3][54] Each niche's box contains a doorway with pilasters on either side, which are topped by console brackets that support a curved pediment with a tympanum.[56] The niches are topped by a recessed lunette that resembles a shell or sunburst.[3][56] The niches originally contained three boxes each,[60] but these were extensively altered in a 1965 renovation.[60][58] Additional boxes exist on both sides of both balcony levels. The first balcony level has one additional box behind each niche. The second balcony level has five curved boxes on each side in a terraced arrangement, with higher boxes being further from the stage. The fronts of the balcony-level boxes have decorative moldings, while the undersides of these boxes contain foliate ornamentation.[55] Originally there were 20 boxes at orchestra level, 23 at the first balcony, and 12 at the second balcony.[16] There was also a projection booth behind the balcony for film screenings, which was built in the 1930s and removed in the 2020s.[42]

Other design features

[edit]

Pendentives at each corner of the auditorium support a wide coved ceiling. The cove is divided into a set of panels with different types of scrolls and floral moldings. The front of the cove, near the sounding board, has a cartouche with putti. There is a flat ceiling surface with a pair of curved triangular panels, as well as a dome with modillions, rosettes, and fruit-and-flower moldings.[57] There is an old-ivory bronze chandelier measuring 14 feet (4.3 m) across,[16] which hangs from a pendant on the ceiling.[57]

The proscenium arch measures 44 feet (13 m) across.[15][16] It contains pellet, egg-and-dart, and acanthus-leaf moldings surrounding a band of acanthus leaves. The top of the arch consists of a keystone with a molding of a child's head.[56] A sounding board rises above the proscenium arch, with foliate bands at the perimeter. At the center of the sounding board, above the stage, is a circular panel depicting a lyre.[55] The orchestra pit is at the front of the orchestra seating level, in front of the proscenium. It dates from a 1965 renovation and contains high walls.[55] The stage is behind the proscenium arch and orchestra pit.[54] The stage historically had a Wurlitzer Opus 303 organ.[3][61] The orchestra and stage both have stage lifts.[42][62]

History

[edit]

The vaudevillian Martin Beck was the operator of the Orpheum Circuit, which in the early 20th century was the dominant vaudeville circuit on the West Coast of the United States. Its East Coast complement was the Keith–Albee circuit, composed of Benjamin Franklin Keith and Edward Albee, who operated venues both by themselves and through their United Booking Office.[63][64] The Orpheum and Keith–Albee circuits had proposed a truce in 1906, wherein Orpheum would control vaudeville west of Chicago and Keith–Albee would control vaudeville east of Chicago, including New York City.[64] This truce was implemented in 1907.[65]

Development

[edit]

Beck and Herman Fehr announced in December 1911 that they had leased the site with plans to construct a venue, the Palace Theatre.[11][12][13] Beck's representatives initially said the Palace would not be part of the Orpheum interests and, therefore, would not be used to show vaudeville.[11] Beck subsequently recanted, saying he would use the Palace for vaudeville.[66] In February 1912, Kirchhoff & Rose and Gavigan filed plans with the New York City Department of Buildings for a theater building at Broadway and 47th Street.[67]

Due to the truce between Orpheum and Keith–Albee, Edward Albee initially said any vaudeville act that played the Palace would not be allowed on the Keith–Albee circuit.[68] Albee demanded that Beck turn over three-quarters ownership to use acts from the Keith–Albee circuit, to which Beck acquiesced.[66][69][70][d] Albee moved the B. F. Keith office to the fifth floor,[71][72] and the UBO office moved to the office wing as well.[70] Furthermore, Willie Hammerstein held the exclusive franchise to vaudeville performances around Times Square.[70][73] Because of the vaudeville restriction, Werba & Luescher obtained an option on the new theater in mid-1912.[73][74] Hammerstein initially refused to sell his exclusive vaudeville franchise to Albee,[75] but Hammerstein agreed to a $200,000 settlement in May 1913, after the theater had opened.[76] The Palace's programming was still unknown to the public until February 1913, when The New York Times announced the theater would be "something along the lines of English music halls", with events such as ballets, rather than "strict vaudeville".[77]

Vaudeville

[edit]
The Palace Theatre, c. 1920

The theater finally opened on March 24, 1913, with headliner Ed Wynn.[78][79] Tickets cost $1.50 for matinees and $2.00 for nighttime performances. The screenwriter Marian Spitzer wrote of opening day: "The theatre itself, living up to advance publicity, was spacious, handsome and lavishly decorated in crimson and gold. But nothing happened that afternoon to suggest the birth of a great theatrical tradition."[80] Rather, the public mostly considered its $2 admission fees to be expensive.[81] The media widely mocked the opening bill;[79] four days after the Palace opened, Variety magazine printed an article entitled "Palace $2 Vaudeville a Joke: Double-Crossing Boomerang".[68][82] Also problematic was the presence of Hammerstein's Victoria Theatre, a much more successful and established vaudeville venue.[83] The Variety article noted that, while the Victoria had played to capacity two days in a row, the Palace had to give out free coupons to half the guests and still struggled to fill the balcony seats.[82]

The Palace's first success was the one-act play Miss Civilization, featuring Ethel Barrymore, six weeks after the theater opened.[80] It was only after an appearance by French actress Sarah Bernhardt on May 5, 1913, that the Palace became popular.[84] Except for a period from May to December 1913, the Palace had performances every day for the next two decades.[85] By December 1914, Variety was characterizing the Palace as "the greatest vaudeville theater in America, if not the world".[86][87] The death of Willie Hammerstein the same year, and the subsequent closure of the Victoria, contributed to the Palace's popularity.[70] Keith also died in 1914, giving Albee even more control of the Palace.[66][70] Albee sometimes traded on the performers' desire for this goal by forcing acts to accept smaller profits.[70][86] To "play the Palace" meant that entertainers had reached the pinnacles of their vaudeville careers.[3][70][86] The theater itself was nicknamed the "Valhalla of Vaudeville".[70][88] Performer Jack Haley wrote:

Only a vaudevillian who has trod its stage can really tell you about it ... only a performer can describe the anxieties, the joys, the anticipation, and the exultation of a week's engagement at the Palace. The walk through the iron gate on 47th Street through the courtyard to the stage door, was the cum laude walk to a show business diploma. A feeling of ecstasy came with the knowledge that this was the Palace, the epitome of the more than 15,000 vaudeville theaters in America, and the realization that you have been selected to play it. Of all the thousands upon thousands of vaudeville performers in the business, you are there. This was a dream fulfilled; this was the pinnacle of Variety success.[89]

A typical bill would have nine acts, who would perform twice a day. The bills were rotated every Monday. Consequently, the Monday matinee was generally considered among vaudevillians to be the most important of any given week, with the harshest audience.[68] A failed act would generally be eliminated from the evening shows.[68][85] Because of the constant rotations of acts, Variety observed in 1914 that the theater was "using up headliners at an alarming rate".[87] At its peak, the Palace's annual profit was $500,000,[71][85] and the average bill was paid $12,000.[71] About three-quarters of revenue was from subscriptions, and many patrons who regularly visited the Monday afternoon shows were subscription holders.[68] Performing comedians would select "stooges" from the Palace's box seats. The audience members in the right-side first-balcony boxes would generally assist the performers.[90][91]

Vaudeville headliners

[edit]

Throughout vaudeville's heyday, the headliners (usually billed next to the closing act) included:

Notable vaudeville headliners at the theater
Performer Year of appearance Refs.
Ed Wynn 1913 [78][79]
Ethel Barrymore 1913 [92]
Nora Bayes 1914 [93]
Fritzi Scheff 1914 [79]
Nan Halperin 1915 [94]
Will Rogers 1916 [95]
Blossom Seeley 1917 [96]
Lillian Russell 1918 [97]
Leon Errol 1919 [98]
Marie Cahill 1919 [99]
Olga Petrova 1919 [100]
"Dixie Duo" (Noble Sissle and Eubie Blake) 1919 [101]
Bert Williams 1919 [102]
Marie Dressler 1919 [103]
Aileen Stanley 1920, 1926, 1930, 1931 [104]
The Marx Brothers 1920 [105]
Lou Clayton and Cliff Edwards 1921 [106]
Bessie Clayton 1921 [92]
Fanny Brice 1923 [107]
Isabella Patricola ("Miss Patricola") 1923, 1926, 1927, 1938 [108]
Cecilia Loftus 1923 [109]
Trixie Friganza 1924 [110]
Florence Mills 1924 [111]
Cliff Edwards 1924 [112]
Doc Rockwell 1925 [113]
Weber and Fields 1925 [114]
Hamilton Sisters and Fordyce (the Three X Sisters) and Jerry and Her Baby Grands 1925 or 1926 [115]
Eva Tanguay 1926 [116]
Barto and Mann 1927, 1929 [117][118]
Ethel Waters 1927 [119]
Julian Eltinge 1927 [120]
Duncan Sisters 1927 [121]
Clark and McCullough 1928 [122]
Clayton, Jackson & Durante 1928 [123]
Buck and Bubbles 1928, 1929 [124]
Harry Langdon 1929 [125]
Mary Hay and Clifton Webb 1929 [126]
Phil Baker 1930, 1931, 1932 [127]
George Jessel 1930 [97]
Adelaide Hall 1930, 1931, 1933 [128][129][130]

Other performers

[edit]

Other vaudeville performers appearing at the Palace included:

Decline

[edit]

The circuit became Keith–Albee–Orpheum in 1925 and it acquired film companies the following year.[66] With the Great Depression came a rise in the popularity of film and radio, and vaudeville saw a steep decline.[142][131] The Paramount Theatre of 1926 and Roxy Theatre of 1927, in particular, were major competitors to the Palace.[15] Many bills were held at the Palace for several consecutive weeks due to their popularity, which turned away subscription holders who wished for more variety; furthermore, many acts demanded increased salaries.[133] After Keith–Albee–Orpheum merged with RCA and the Film Booking Office to form RKO Pictures in 1928, the circuit's vaudeville houses became movie houses.[66] In 1929, the Keith's booking office relocated from the fifth floor of the office wing to the sixth.[72]

To attract vaudeville-goers, the Palace added an electric piano in the lobby and colored lights in the auditorium during the late 1920s.[15] Vaudeville was still popular as late as 1931, when Kate Smith had a ten-week-long run.[143] After considering a three-a-day production,[139][144][e] the Palace moved to four shows a day in May 1932 and lowered its admission prices.[146][147] A fifth show was subsequently added, but this failed to increase the number of attendees.[145]

Post-vaudeville

[edit]

Movie palace use

[edit]
The original lobby prior to its renovation in 1939

The last week of straight vaudeville at the Palace premiered July 9, 1932, featuring Louis Sobol.[143][148] Afterward, the Palace instituted a mixed policy of vaudeville before a feature film,[143][148][149] which continued for several months.[150] The last vaudeville accompaniment took place on November 12, 1932,[151] with Nick Lucas and Hal Le Roy appearing on the closing bill.[152] Thereafter, the Palace was converted to a movie palace, showing films exclusively under RKO Pictures.[153] The film-only policy was not initially successful because many major studios already operated their own theaters in Times Square.[154] Theatrical historian Louis Botto said that "from the 1930s on, it was a constant struggle for survival" for the Palace, which frequently flipped between film-only, vaudeville/film, and live performance formats.[155]

The Palace reverted to a vaudeville-before-film policy on January 7, 1933, two months after it started showing films exclusively.[156][157] The venue spent the next two years alternating between film-only and vaudeville-before-film formats.[151] For fourteen years beginning in 1935, the Palace showed movies almost exclusively.[154] The booking office in the Palace Theatre's office wing moved several blocks away to Radio City Music Hall.[154] There was a brief return to a live revue format in 1936, when Broadway producer Nils Granlund staged a series of variety shows, beginning with "Broadway Heat Wave" featuring female orchestra leader Rita Rio.[158] Among the films shown at the RKO Palace was the RKO picture Citizen Kane, which had its world premiere at the theater in 1941.[159]

In preparation for the 1939 New York World's Fair, RKO began to erect a 40-by-25-foot (12.2 by 7.6 m) marquee in front of the office wing in April 1939.[160] The next month, RKO announced the Palace would be renovated.[161] The alterations included renovating the outer lobby with black-and-white granite walls and the inner lobby with zebra wood and black marble walls. Additionally, aluminum and bronze frames were installed in the outer lobby.[91][161][162] The work also included installing doors between the inner and outer lobbies.[163] The renovations were finished in August 1939.[162][163] Further renovations followed in the early 1940s, when some of the boxes were removed since they did not have a good view of the cinema screen.[91]

Attempted revival of vaudeville

[edit]

The RKO Palace was closed for a $60,000 renovation in early 1949.[154][164] It received new seats and carpets; upgraded acoustic features and stage; and a new ticket booth in the lobby.[91][165] Beginning in May 1949, under RKO vice president Sol Schwartz, the RKO Palace tried to revive vaudeville with a slate of eight acts before a feature film.[154][166] Within two months of vaudeville being reintroduced, Schwartz said patronage was "very encouraging".[167] The Palace was closed for a two-week renovation in October 1951.[154][168] After the Palace reopened, Judy Garland staged a 19-week comeback at the venue,[88][169] supported by acts such as Max Bygraves.[170] This was the first occurrence of two-a-day vaudeville at the Palace in nearly 18 years.[168] The Palace also attracted acts including Lauritz Melchior,[170][171] José Greco,[170][172] Betty Hutton,[173][174] Danny Kaye,[175][176] Dick Shawn,[177] and Phil Spitalny.[177][178] Garland returned for a successful run in 1956, this time with Alan King.[179]

Publicity shot of RKO Palace marquee, still advertising "vaudeville", c. 1955

While the shows were successful, they did not lead to a revival of the vaudeville format.[170] According to theatrical historian Ken Bloom, the Palace "limped along into the fifties with an occasional good week", but the popularity of television had restricted the profitability of the Palace's vaudeville.[154] Performances by Jerry Lewis and Liberace, in 1957, failed to attract enough audience members.[180] As a result, the Palace dropped its vaudeville policy in July 1957.[181] Its film screenings began with James Cagney's Man of a Thousand Faces on August 13, 1957.[180][182] The films included The Diary of Anne Frank, which premiered in 1959.[183][184] The Palace hosted one more vaudeville performance by Harry Belafonte[185] in December 1959.[186][187]

Broadway theater

[edit]

Nederlander conversion

[edit]

The RKO Palace was no longer profitable as a cinema by March 1965, and RKO considered selling it to Sherman S. Krellberg for conversion into a Broadway theater.[188] That July,[189][190] the Nederlander Organization agreed to purchase the Palace from RKO for about $1.4 million[191][192][193] or $1.6 million.[189][190] The Nederlanders also acquired the ground lease, which had 52 years remaining in its term.[189] The last film to play the RKO Palace was Harlow in August 1965,[177] and the Nederlanders formally acquired the theater the same month.[155][194] The Nederlanders incorporated the All State Amusement Corporation to operate the theater.[194] For the Palace to break even, each production would have to gross $65,000 a week.[193]

The Nederlanders spent $500,000 to renovate the venue into a legitimate theater.[91][191] Many of the decorations that were added after the theater's opening were removed, revealing the original design.[91][191][195] Among the decorations uncovered were ironwork, marble balustrades, and the molded ceiling of the lobby.[196] In the basement, workers found a gold vault that was filled with paint cans, as well as crystal chandeliers. The auditorium was outfitted with red decorations and gold-and-cream walls, while the basement was renovated to include a dressing room for the primary performer.[191] Two bars were installed: one in the lobby and one in the basement.[197] The renovations made the Palace the only Broadway theater that was actually on Broadway,[192] and, with 1,732 seats, the largest Broadway house.[195] Ralph Alswang oversaw the restoration of the Palace.[155][191] The Stage magazine printed the Palace Theatre's programs, competing with Playbill magazine, the traditional publisher of stage programs.[198]

On January 29, 1966, the Palace opened as a Broadway venue with the original production of the musical Sweet Charity.[199][200] The production ran at the Palace for 608 performances.[201][202] The Nederlanders wished to keep the Palace Theatre open even when there was no theatrical engagement.[203] For some time, the Palace showed films and presented concert performances between engagements.[204] Judy Garland's performance in July 1967 was recorded for a live album, Judy Garland at Home at the Palace: Opening Night;[179][205] it was followed the same year by a double bill with Eddie Fisher and Buddy Hackett.[201][206] Later in 1967, the musical Henry, Sweet Henry had a relatively short run of 80 performances.[201][207] More successful was George M!, which opened in 1968 and ran over 400 performances.[208][209]

During the 1970s, the Palace hosted live performances from Josephine Baker,[201][210] Bette Midler,[211][212] Vikki Carr,[204] Shirley MacLaine,[201][213] and Diana Ross.[201][214] The Palace additionally hosted the 25th Tony Awards in 1971.[215] During this time, the theater hosted the musical Applause, which had opened in 1970[216][217] and ran for 896 performances over two years.[218][219] The next hit was the musical Lorelei, which opened in 1974[216][220] and lasted ten months.[221][222] The musical Man of La Mancha ran at the Palace for three months in 1977;[223][224] it was followed in 1979 by the musical Oklahoma!,[225] which had 301 performances.[226][227] Yet another musical, Woman of the Year, opened in 1981[223][228] and stayed for two years.[229] The Palace's most successful production in its first two decades was La Cage aux Folles,[230] which opened in 1983[230][231] and ran for more than four years.[5][232]

1980s renovation to mid-2010s

[edit]
Legally Blonde at the Palace Theatre

Developer Larry Silverstein had planned to build a skyscraper on the Palace Theater's site since the mid-1980s. Such a development was contingent on his ability to acquire a Bowery Savings Bank branch at the corner of 47th Street and Seventh Avenue, surrounded by the original Palace Theatre building.[21] Even after acquiring that site, he had to wait until after the New York City Landmarks Preservation Commission (LPC) reviewed the theater for city-landmark status in 1987. If the landmark status was approved, Silverstein would have to build around the theater.[233][234] This was part of the LPC's wide-ranging effort in 1987 to grant landmark status to Broadway theaters.[48] Ultimately, only the interior was designated as a landmark; a similar status for the exterior was denied.[48][49] The LPC wrote that the Palace Theatre would be "virtually uncontested" as the most famous Broadway theaters.[42] In late 1987, the theater closed after the last performance of La Cage aux Folles.[5]

The New York City Board of Estimate ratified the landmark designation in March 1988.[235] The Nederlanders, the Shuberts, and Jujamcyn collectively sued the LPC in June 1988 to overturn the landmark designations of 22 theaters, including the Palace, on the merit that the designations severely limited the extent to which the theaters could be modified.[236] The lawsuit was escalated to the New York Supreme Court and the Supreme Court of the United States, but these designations were ultimately upheld in 1992.[237] Meanwhile, the office wing was demolished (except for the lobby[24]), as were two stories above the auditorium and two ancillary structures.[5][6] Silverstein developed a 43-story Embassy Suites hotel on the site.[21][23][24] The theater received a $1.5 million renovation[31] as part of the $150 million hotel project.[23] The hotel was completed in September 1990.[24]

The Will Rogers Follies opened in the renovated theater on May 1, 1991,[238][239][240] running until 1993.[239][241] The Palace then presented Beauty and the Beast from 1994 to 1999, before it transferred to the Lunt-Fontanne.[238][242][243] Aida, which ran from 2000 through 2004,[22][244][245] had 1,852 performances.[245] The theater also staged Legally Blonde: The Musical from 2007 to 2008;[246][247] West Side Story from 2009 to 2011;[248][249] Priscilla, Queen of the Desert from 2011 to 2012;[250][251] and Annie from 2012 to 2014.[252][253] As part of a settlement with the United States Department of Justice in 2014, the Nederlanders agreed to improve disabled access at their nine Broadway theaters, including the Palace.[254][255] Also in early 2014, the orchestra seating was rearranged as part of a $200,000 renovation prior to the opening of Holler If Ya Hear Me;[256][257] that musical opened in June 2014 and ran for six weeks.[258][259] An American in Paris, a stage adaptation of the 1951 MGM film, opened in April 2015 for an 18-month run.[260][261] The Illusionists: Turn of the Century ran a limited engagement from November 2016 to January 2017,[262][263] and Sunset Boulevard also had a limited engagement from February to June 2017.[264][265]

2010s and 2020s renovation

[edit]
Auditorium interior as seen in 2011

In 2015, the Nederlander Organization and Maefield Development announced another renovation in conjunction with the TSX Broadway development. The project would include a new lobby and entrance on 47th Street as well as dressing rooms and other patron amenities. The landmark interior would be raised 30 feet (9.1 m) to accommodate ground-floor retail spaces.[38][39][266] The LPC approved the plan in November 2015, even as many preservationists expressed concern over the idea.[43][267][268] The New York City Council approved the plan in June 2018,[269][270] allowing the redevelopment to progress.[271] The musical SpongeBob SquarePants was the last show to play at the theater prior to the renovation, running from December 2017[272][273] to September 2018.[274] Demolition of the existing structure began in late 2019.[7][8] Platt Byard Dovell White was hired to redesign the Palace Theatre's interior.[275]

The reconstruction was originally estimated to keep the Palace closed until 2021.[276] The renovation was delayed during 2019 because the contractors needed to inspect an adjacent building, but the property's owners did not grant permission for the inspection for over a year.[277] The old 1568 Broadway building was being demolished by early 2020.[278] Work was only interrupted for three weeks during the COVID-19 pandemic in New York City, as the TSX Broadway project had hotel rooms and was thus classified as an "essential jobsite".[279] Construction of TSX Broadway's superstructure began the next year.[280][281] The theater also underwent a renovation, which involved restoring the plasterwork and original chandelier, adding sound insulation, and erecting a new box office and new restrooms.[47]

The auditorium was raised starting in January 2022.[37][282][283] During the lift, the bottom of the auditorium was cushioned by a 5-foot-thick (1.5 m) layer of concrete,[37][283] installed by foundation engineer Urban Foundation Engineering.[36] The lift was conducted using 34 hydraulic posts,[47][283][279] which were sunk 30 feet (9.1 m) into the ground.[33] The posts consisted of telescoping beams,[33] which moved the auditorium by 0.25 inches (6.4 mm) an hour.[283] After the theater had been raised 16 or 17 feet (4.9 or 5.2 m), in March 2022, the lifting process was temporarily paused while the new structural frame was installed.[33][45] The lifting process was completed on April 5, 2022,[33] though the formal celebration was held the next month.[284][285] Afterward, the permanent supports under the auditorium were installed. At the time, TSX Broadway was planned to be completed in 2023,[47] though this was then delayed to the first quarter of 2024.[286] Although the cost of the renovation was estimated in 2022 at $50 million,[47] the project ultimately cost $80 million.[42][62]

Mid-2020s to present

[edit]

In March 2024, the Nederlander Organization announced that the theater would reopen on May 28, 2024, with a concert residency by Ben Platt.[287] The residency lasted for 18 performances.[288] This was followed by the musical Tammy Faye, which opened in November 2024[289][290] and closed on December 8 after 24 previews and 29 regular performances.[291][292] A revival of Glengarry Glen Ross is scheduled to open at the theater in March 2025 for a 12-week limited engagement.[293]

Alleged haunting

[edit]

The ghost of acrobat Louis Bossalina allegedly haunts the theater. Observers have said that the ghost is a white-clothed figure swinging in the air before emitting a "blood-curdling scream" and falling.[294][295] Bossalina, who was a member of the acrobatic act the Four Casting Pearls, was injured when he fell 18 feet (5.5 m) during a performance on August 28, 1935, before 800 theatergoers.[294][295] Bossalina's act was not a trapeze but rather fixed towers in which the acrobats were "cast from one to the other".[296] Comedian Pat Henning started his act in front of a curtain that was pulled right after the accident.[296] Bossalina died in 1963.[294][295] According to television channel NY1, sightings of Bossalina only occurred through the 1980s,[294] though another source cited a sighting in the 1990s during a showing of Beauty and the Beast.[295]

Notable productions

[edit]

Productions are listed by the year of their first performance. This list only includes Broadway shows; it does not include vaudeville shows or films.[53][50]

Notable productions at the theater
Opening year Name Refs.
1966 Sweet Charity [297][202]
1967 Henry, Sweet Henry [201][207]
1968 George M! [297][209]
1970 Applause [297][219]
1973 Cyrano [177][298]
1973 Bette Midler [211][212]
1974 Lorelei [297][222]
1975 Goodtime Charley [299]
1976 Home Sweet Homer [300]
1976 Shirley MacLaine Live at the Palace [301]
1976 An Evening with Diana Ross [302]
1977 Man of La Mancha [224]
1979 The Grand Tour [22][303]
1979 Beatlemania [304]
1979 Oklahoma! [226]
1981 Woman of the Year [22][229]
1983 La Cage aux Folles [22][305]
1991 The Will Rogers Follies [22][239]
1994 Beauty and the Beast [22][242]
1999 Minnelli on Minnelli: Live at the Palace [306]
2000 Aida [22][245]
2005 All Shook Up [22][307]
2006 Lestat [22][308]
2007 Legally Blonde [246][247]
2008 Liza's at The Palace.... [309]
2009 West Side Story [248][249]
2011 Priscilla Queen of the Desert [250][251]
2012 Annie [252][253]
2014 Holler If Ya Hear Me [258][259]
2014 The Temptations and the Four Tops on Broadway [310]
2015 An American in Paris [260][261]
2016 The Illusionists: Turn of the Century [262][263]
2017 Sunset Boulevard [264][265]
2017 SpongeBob SquarePants [272][273]
2024 Ben Platt: Live at the Palace [287]
2024 Tammy Faye [289][290]

See also

[edit]

References

[edit]

Notes

[edit]
  1. ^ a b c This capacity is approximate and may vary depending on the show.[50] Playbill gives a different figure of 1,610 seats.[53]
  2. ^ One source cited the hotel as being 44 stories tall.[25]
  3. ^ Some sources cite the theater as being raised by 29 feet (8.8 m).[38][39]
  4. ^ According to Slide 2012, p. 385, Keith and Albee only had 51 percent ownership.
  5. ^ Bloom 2007, pp. 203–204, says the Palace was three-a-day by 1929,[145] but a 1932 New York Daily News article cites the Palace as the "only all-vaudeville two-a-day theatre in the country".[144]

Citations

[edit]
  1. ^ a b Landmarks Preservation Commission 1987, p. 1.
  2. ^ a b c d e White, Norval; Willensky, Elliot; Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. p. 301. ISBN 978-0-19538-386-7.
  3. ^ a b c d e "Palace Theatre in New York, NY". Cinema Treasures. March 24, 1913. Archived from the original on September 12, 2021. Retrieved October 17, 2021.
  4. ^ Fisher, J.; Londré, F.H. (2017). Historical Dictionary of American Theater: Modernism. Historical Dictionaries of Literature and the Arts. Rowman & Littlefield Publishers. p. 508. ISBN 978-1-5381-0786-7. Archived from the original on October 19, 2021. Retrieved October 17, 2021.
  5. ^ a b c d Dunlap, David W. (May 13, 1988). "Demolition Plays the Palace (But the Theater Plays On)". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  6. ^ a b "In Focus: Palace Theater Sits Placidly Amidst Turmoil". Back Stage. Vol. 29, no. 21. May 20, 1988. pp. 3A, 42A. ISSN 0005-3635. ProQuest 962873540.
  7. ^ a b "Demolition for $2.5B Times Square Hotel Begins". Crain's New York Business. November 26, 2019. Archived from the original on October 17, 2021. Retrieved October 17, 2021.
  8. ^ a b Morris, Sebastian (November 27, 2019). "Demolition Kicks Off at 1568 Broadway in Times Square, Future Home of TSX Broadway". New York YIMBY. Archived from the original on March 5, 2021. Retrieved October 17, 2021.
  9. ^ a b c d e f g "Palace Theater, New York City: Kirchhoff and Rose, Architects". The Construction News. Vol. 33, no. 21. May 25, 1912. p. 21. ProQuest 128413440.
  10. ^ a b c d e "Huge Girders for Theatre; Difficult Engineering Feat Successfully Accomplished in Times Square". The New York Times. August 4, 1912. ISSN 0362-4331. Archived from the original on October 19, 2021. Retrieved October 17, 2021.
  11. ^ a b c "A Palace Theatre for Times Square; Martin Beck and Herman Fehr to Build Playhouse at Broadway and 47th Street". The New York Times. December 21, 1911. ISSN 0362-4331. Archived from the original on October 17, 2021. Retrieved October 17, 2021.
  12. ^ a b "New York to Have New Playhouse: Palace Theater and Land Will Cost $6,500,000". The Hartford Courant. December 22, 1911. p. 7. ISSN 1047-4153. ProQuest 555860548.
  13. ^ a b "Leases". The Real Estate Record: Real Estate Record and Builders' Guide. Vol. 88, no. 2284. December 23, 1911. p. 954. Archived from the original on October 17, 2021. Retrieved October 17, 2021 – via columbia.edu.
  14. ^ a b c d "Huge Girders for a Theater". Building Age. November 1, 1912. p. 596. ProQuest 128345831.
  15. ^ a b c d e f g h i j k Landmarks Preservation Commission 1987, p. 14.
  16. ^ a b c d e f g h "Palace Opens To-Day.; New Broadway Vaudeville Theatre Will Seat 1,800 Persons". The New York Times. March 24, 1913. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  17. ^ a b c "Palace to Open To-Day: New Theatre Is Patterned on English Music Halls". New-York Tribune. March 24, 1913. p. 7. ProQuest 575069440.
  18. ^ PBDW Architects 2015, p. 9.
  19. ^ Landmarks Preservation Commission 1987, pp. 13–14.
  20. ^ a b Harriman 1991, p. 107.
  21. ^ a b c d e f g h i Kennedy, Shawn G. (March 1, 1989). "Real Estate; Theater-Hotel Partnership in Times Square". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  22. ^ a b c d e f g h i j Bloom 2007, p. 206.
  23. ^ a b c "Business Brief – Holiday Corp.: Embassy Suites Unit Plans To Build New York Hotel". Wall Street Journal. February 9, 1989. p. 1. ISSN 0099-9660. ProQuest 398094707.
  24. ^ a b c d e f g h i j Stern, Robert A. M.; Fishman, David; Tilove, Jacob (2006). New York 2000: Architecture and Urbanism Between the Bicentennial and the Millennium. New York: Monacelli Press. p. 648. ISBN 978-1-58093-177-9. OCLC 70267065. OL 22741487M.
  25. ^ a b Harriman 1991, p. 109.
  26. ^ a b Berkowitz, Harry (February 9, 1989). "New Hotel for B'way". Newsday. p. 61. ISSN 2574-5298. Archived from the original on October 19, 2021. Retrieved October 19, 2021 – via newspapers.com.
  27. ^ Rothstein, Mervyn (May 24, 1989). "Empty Theaters Bringing Concerts to Broadway". The New York Times. ISSN 0362-4331. Archived from the original on December 19, 2017. Retrieved October 19, 2021.
  28. ^ McCain, Mark (January 22, 1989). "Commercial Property: Blending the Old With the New; Developers Working Around Remnants of the Past in Towers". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  29. ^ a b c d e f g h Harriman 1991, p. 108.
  30. ^ a b PBDW Architects 2015, p. 13.
  31. ^ a b c Koenenn, Joseph C. (August 23, 1990). "Palace Gets New Face, Lift". Newsday. p. 151. ISSN 2574-5298. Archived from the original on October 19, 2021. Retrieved October 19, 2021 – via newspapers.com.
  32. ^ Times Square Hotel Owner, LLC (2018). 1568 Broadway Text Amendment and Rehabilitation Special Permit; Environmental Assessment Statement (PDF) (Report). New York City Department of City Planning. p. B3 (PDF p. 46).
  33. ^ a b c d e f Hughes, C. J.; Moon, Jeenah (May 28, 2022). "How a 7,000-Ton Broadway Theater Was Hoisted 30 Feet". The New York Times. ISSN 0362-4331. Archived from the original on September 23, 2022. Retrieved May 29, 2022.
  34. ^ Gannon, Devin (January 2, 2020). "Times Square's Palace Theatre Overhaul Includes Outdoor Stage and 'Ball Drop' Suites". 6sqft. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  35. ^ a b Herzenberg, Michael (March 29, 2019). "Jacked Up: B'Way's Famed Palace Theatre Will Rise Again". Spectrum News NY1 | New York City. Archived from the original on October 17, 2021. Retrieved October 17, 2021.
  36. ^ a b c d e Bousquin, Joe (May 6, 2021). "$2.5B TSX Broadway Project Rising over Times Square". Construction Dive. Archived from the original on May 7, 2021. Retrieved October 18, 2021.
  37. ^ a b c d Cubarrubia, Eydie (November 3, 2021). "Palace Theatre Begins 30-Ft Climb Into TSX Broadway". Engineering News-Record. Archived from the original on January 16, 2023. Retrieved January 31, 2022.
  38. ^ a b Viagas, Robert (November 25, 2015). "Broadway's Palace Theatre Will Be Lifted by 4 Floors to Make Room for Retail Space". Playbill. Archived from the original on October 19, 2021. Retrieved October 17, 2021.
  39. ^ a b c Schulz, Dana (November 20, 2015). "Historic Palace Theater to Get Raised 29 Feet to Accommodate New Retail Space". 6sqft. Archived from the original on March 5, 2021. Retrieved October 18, 2021.
  40. ^ PBDW Architects 2015, p. 30.
  41. ^ a b "Palace Theater". PBDW Architects. October 9, 2018. Archived from the original on May 27, 2020. Retrieved October 18, 2021.
  42. ^ a b c d e f g h i j Paulson, Michael; Hamja, Amir (May 22, 2024). "New York's Palace Theater Gets an $80 Million Refresh (And 30 Feet Higher)". The New York Times. ISSN 0362-4331. Retrieved May 22, 2024.
  43. ^ a b c Morris, Keiko; Smith, Jennifer (November 25, 2015). "New York City's Palace Theatre to Be Elevated in Hotel Project". Wall Street Journal. ISSN 0099-9660. Archived from the original on February 20, 2017. Retrieved October 19, 2021.
  44. ^ "Palace Theatre Raising the Roof – And Everything Else – 29 Feet for Commercial Space". amNewYork. December 17, 2015. Archived from the original on October 19, 2021. Retrieved October 18, 2021.
  45. ^ a b Stabile, Tom (March 15, 2022). "TSX Broadway Joins Old to New in Times Square". Engineering News-Record. Archived from the original on January 16, 2023. Retrieved March 24, 2022.
  46. ^ PBDW Architects 2015, p. 17.
  47. ^ a b c d e Baird-Remba, Rebecca (May 9, 2022). "How the Palace Theatre Ended Up 30 Feet Above Manhattan". Commercial Observer. Retrieved May 21, 2022.
  48. ^ a b c Dunlap, David W. (November 22, 1987). "The Region; The City Casts Its Theaters In Stone". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  49. ^ a b c d Diamonstein-Spielvogel, Barbaralee (2011). The Landmarks of New York (5th ed.). Albany, New York: State University of New York Press. p. 510. ISBN 978-1-4384-3769-9.
  50. ^ a b c "Palace Theatre – New York, NY". Internet Broadway Database. January 29, 1966. Archived from the original on March 6, 2020. Retrieved February 18, 2022.
  51. ^ "Palace Theatre on Broadway in NYC". NYTIX. July 26, 2018. Archived from the original on October 19, 2021. Retrieved October 18, 2021.
  52. ^ "Palace Theatre – Theaters". Broadway.com. Archived from the original on February 27, 2021. Retrieved October 18, 2021.
  53. ^ a b "Palace Theatre (1913)". Playbill. Archived from the original on February 18, 2022. Retrieved February 18, 2022.
  54. ^ a b c d Landmarks Preservation Commission 1987, p. 19.
  55. ^ a b c d Landmarks Preservation Commission 1987, pp. 19–20.
  56. ^ a b c d Landmarks Preservation Commission 1987, p. 20.
  57. ^ a b c d Landmarks Preservation Commission 1987, p. 21.
  58. ^ a b Landmarks Preservation Commission 1987, p. 22.
  59. ^ PBDW Architects 2015, p. 34.
  60. ^ a b PBDW Architects 2015, p. 35.
  61. ^ "Palace Theatre". New York City Chapter of the American Guild of Organists. March 24, 1913. Archived from the original on June 8, 2009. Retrieved October 19, 2021.
  62. ^ a b Rahmanan, Anna (May 22, 2024). "See Inside the Beautifully Renovated Palace Theater on Broadway". Time Out New York. Retrieved May 22, 2024.
  63. ^ Landmarks Preservation Commission 1987, p. 10.
  64. ^ a b Rogers, Will; Gragert, Steven K.; Johansson, M. Jane (2001). The Papers of Will Rogers: From Vaudeville to Broadway : September 1908 – August 1915. University of Oklahoma Press. pp. 53–54. ISBN 978-0-8061-3315-7. Archived from the original on October 19, 2021. Retrieved October 17, 2021.
  65. ^ Wertheim, Arthur Frank (2006). Vaudeville Wars: How the Keith-Albee And Orpheum Circuits Controlled the Big-Time And Its Performers. New York: Palgrave Macmillan. ISBN 978-1-4039-6826-5. OCLC 61115601.
  66. ^ a b c d e Landmarks Preservation Commission 1987, p. 11.
  67. ^ "The Building Department". The New York Times. February 10, 1912. p. 17. ISSN 0362-4331. ProQuest 97301107.
  68. ^ a b c d e Bloom 2007, p. 203.
  69. ^ Bloom 2007, p. 203; Botto & Mitchell 2002, p. 65.
  70. ^ a b c d e f g h Wallace, Mike (2017). Greater Gotham: A History of New York City from 1898 to 1919. The History of NYC Series. Oxford University Press. p. 406. ISBN 978-0-19-972305-8. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  71. ^ a b c Slide 2012, p. 386.
  72. ^ a b "Vaudeville: Keith's 5Th Floor Booking Force Moving Up and Becomes Part of 6Th". Variety. Vol. 94, no. 5. February 13, 1929. p. 38. ISSN 0042-2738. ProQuest 1475834322.
  73. ^ a b "Palace Theatre Bid For: Werba & Luescher Obtain Option From Martin Beck in New Deal". New-York Tribune. May 31, 1912. p. 7. Archived from the original on October 17, 2021. Retrieved October 17, 2021 – via newspapers.com.
  74. ^ "Negotiating for Palace Theatre". The Billboard. Vol. 24, no. 23. June 8, 1912. p. 58. ISSN 2638-3853. ProQuest 1031442853.
  75. ^ Richardson, Leander (November 15, 1912). "Albee's Palace Jobbery Unexpectedly Blocked". Variety. Vol. 28, no. 11. pp. 11, 25. ISSN 0042-2738. ProQuest 1529180082.
  76. ^ "$200,000 For Hammersteins in the Palace Settlement". Variety. Vol. 30, no. 9. May 2, 1913. p. 6. ISSN 0042-2738. ProQuest 1529147725.
  77. ^ "New Palace Theatre Will Give Ballets; Pantomimes and Extravaganzas Also for Beck's House in Times Square". The New York Times. February 27, 1913. ISSN 0362-4331. Archived from the original on August 8, 2020. Retrieved October 18, 2021.
  78. ^ a b "The New Palace Theatre: Music Hall in Broadway Opened Yesterday Afternoon". New-York Tribune. March 25, 1913. p. 9. ProQuest 575065576.
  79. ^ a b c d Slide 2012, p. 385.
  80. ^ a b Botto & Mitchell 2002, p. 65.
  81. ^ Bloom 2007, p. 203; Landmarks Preservation Commission 1987, p. 16.
  82. ^ a b "Palace $2 Vaudeville a Joke: Double-Crossing Boomerang". Variety. Vol. 30, no. 4. March 28, 1913. p. 5. ISSN 0042-2738. ProQuest 1529327941.
  83. ^ Botto & Mitchell 2002, p. 65; Landmarks Preservation Commission 1987, p. 16.
  84. ^ a b Bloom 2007, p. 203; Botto & Mitchell 2002, p. 65; Landmarks Preservation Commission 1987, p. 16; Slide 2012, p. 385.
  85. ^ a b c d e f "No More Parades at the Palace; Broadway's Most Famous Vaudeville House, Which for 19 Years Has Been a Slogan, Will Soon Lose Its Infinite Variety". The New York Times. October 16, 1932. ISSN 0362-4331. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  86. ^ a b c Slide 2012, pp. 385–386.
  87. ^ a b "The Vaudeville Year". Variety. Vol. 37, no. 4. December 25, 1914. p. 5. ISSN 0042-2738. ProQuest 1528979624.
  88. ^ a b Shepard, Richard F. (March 28, 1991). "Palace Theater Spruced Up, Ready to Light Up". The New York Times. ISSN 0362-4331. Archived from the original on April 21, 2021. Retrieved October 16, 2021.
  89. ^ Trav S.D. 2006, p. 160.
  90. ^ Hutchens, John (March 1, 1931). "Down From the Boxes; Some Notes, With Reasons, On the Retreat From What Was Once a Place of Honor". The New York Times. ISSN 0362-4331. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  91. ^ a b c d e f Landmarks Preservation Commission 1987, p. 15.
  92. ^ a b Cullen, Frank; Hackman, Florence; McNeilly, Donald (2004). Vaudeville Old & New: An Encyclopedia of Variety Performances in America. Vol. 1. New York: Routledge. p. 236. ISBN 978-0-415-93853-2. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  93. ^ James, Edward T.; James, Janet Wilson, eds. (1971). Notable American Women: A Biographical Dictionary. Cambridge, Massachusetts: Belknap Press. pp. 116–117. ISBN 0-674-62734-2. Retrieved November 30, 2015. bayes.
  94. ^ Hyman, Paula; Moore, Deborah Dash, eds. (1998). Jewish Women in America. Vol. 1, A–L. Routledge. p. 585. ISBN 978-0-415-91936-4. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  95. ^ Rogers, Will (October 17, 2005). The Papers of Will Rogers: From the Broadway Stage to the National Stage. University of Oklahoma Press. p. 68. ISBN 978-0-8061-3704-9. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  96. ^ Phillips-Matz, Mary Jane (October 23, 1997). Rosa Ponselle: American Diva. Northeastern. pp. 66–67. ISBN 978-1-55553-317-5. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  97. ^ a b Bakish, David (December 1, 1994). Jimmy Durante: His Show Business Career. McFarland & Company. p. 35. ISBN 978-0-89950-968-6. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  98. ^ Slide 2012, p. 163.
  99. ^ Slide 2012, p. 81.
  100. ^ Slide 2012, p. 170.
  101. ^ Trav S.D. 2006, p. 169.
  102. ^ Forbes, Camille F. (March 23, 2010). Introducing Bert Williams: Burnt Cork, Broadway, And the Story of America's First Black Star. Basic Civitas Books. p. 289. ISBN 978-0-465-01811-6. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  103. ^ Lee, Betty (August 28, 1997). Marie Dressler: The Unlikeliest Star. University Press of Kentucky. p. 134. ISBN 978-0-8131-4572-3. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  104. ^ Fields, Armond (April 10, 2012). Women Vaudeville Stars: Eighty Biographical Profiles. McFarland Press. pp. 62–63. ISBN 978-0-7864-6916-1. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  105. ^ Slide, Anthony (1994). The Encyclopedia of Vaudeville. Greenwood Press. p. 337. ISBN 978-0-313-28027-6. Archived from the original on October 19, 2021. Retrieved October 17, 2021.
  106. ^ "Palace Theatre Newspaper Advertisement — January 24, 1921". Library of Congress. Archived from the original on March 3, 2016. Retrieved November 30, 2015.
  107. ^ Grossman, Barbara Wallace (August 22, 1992). Funny Woman: The Life and Times of Fanny Brice. Indiana University Press. p. 131. ISBN 978-0-253-20762-3. Archived from the original on October 19, 2021. Retrieved November 30, 2015.
  108. ^ Slide 2012, p. 392.
  109. ^ Slide 2012, p. 323.
  110. ^ Slide 2012, p. 199.
  111. ^ Wintz, Cary D.; Finkelman, Paul, eds. (October 17, 2004). Encyclopedia of the Harlem Renaissance. Routledge. p. 799. ISBN 978-1-57958-389-7. Retrieved November 30, 2015.
  112. ^ Ruhlmann, William (August 2, 2015). Breaking Records: 100 Years of Hits. New York: Routledge. p. 48. ISBN 978-1-138-87023-9. Retrieved November 30, 2015.
  113. ^ Slide 2012, p. 420.
  114. ^ Cullen, Frank; Hackman, Florence; McNeilly, Donald (October 8, 2006). Vaudeville Old & New: An Encyclopedia of Variety Performances in America. Vol. 1. Routledge. p. 1004. ISBN 978-0-415-93853-2. Retrieved November 30, 2015.
  115. ^ Santos, Glenn A. (November 26, 2014). "Hamilton Sisters Jerry and Her Baby Grands".
  116. ^ Laurie, Joe Jr. (1972) [1953]. Vaudeville: From the Honky-Tonks To the Palace. Port Washington, N.Y.: Kennikat Press [Henry Holt And Company]. p. 493. ISBN 978-0-8046-1535-8. OCLC 162210.
  117. ^ "Vaudeville Charts on Past Performance". Zit's Theatrical Newspaper. July 30, 1927.
  118. ^ "Vaudeville Charts on Past Performance". Zit's Theatrical Newspaper. March 16, 1929.
  119. ^ Bogle, Donald (February 8, 2011). Heat Wave: The Life and Career of Ethel Waters. Harper Collins. p. 152. ISBN 978-0-06-124173-4. Retrieved November 30, 2015. Heat Wave: The Life and Career of Ethel Waters.
  120. ^ Slide, Anthony (1981). The Vaudevillians: A Dictionary of Vaudeville Performers. Arlington House. p. 47. ISBN 978-0-87000-492-6. Archived from the original on February 22, 2024. Retrieved November 30, 2015.
  121. ^ Slide, Anthony (November 13, 1998). Eccentrics of Comedy. Scarecrow Press. pp. 51–52. ISBN 978-0-8108-3534-4. Archived from the original on February 22, 2024. Retrieved November 30, 2015.
  122. ^ "Mirthful Team Regale at Palace; Clark and McCullough Back in Their Old Act—Donald Brian in Songs and Stories". The New York Times. March 6, 1928. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  123. ^ Bakish 1994, p. 39.
  124. ^ Folkart, Burt A. (May 20, 1986). "John Bubbles, Tap-Dance Great, Gershwin Performer, Dies at 84". Los Angeles Times. Archived from the original on December 8, 2015. Retrieved November 30, 2015.
  125. ^ Schelly, William (June 3, 2008). Harry Langdon: His Life and Films. McFarland. p. 125. ISBN 978-0-7864-3691-0. Archived from the original on February 22, 2024. Retrieved November 30, 2015.
  126. ^ Harbin, Billy J.; Marra, Kimberley Bell; Schanke, Robert A., eds. (March 28, 2007). The Gay and Lesbian Theatrical Legacy: A Biographical Dictionary of Major Figures in American Stage History in the Pre-Stonewall Era. University of Michigan Press. p. 366. ISBN 978-0-472-06858-6. Archived from the original on February 22, 2024. Retrieved November 30, 2015.
  127. ^ Slide 2012, p. 21.
  128. ^ Gardner, Chappie (February 22, 1930). "White Press Acclaims Adelaide Hall As Packed House Gives Her Great Ovation". Pittsburgh Courier. p. 16. Retrieved June 12, 2013.[dead link‍]
  129. ^ Williams, Iain Cameron (September 15, 2002). Underneath a Harlem Moon: The Harlem to Paris Years of Adelaide Hall. Bloomsbury Academic. pp. 389–396. ISBN 978-0-8264-5893-3. Archived from the original on February 22, 2024. Retrieved October 3, 2020. August 1930: Adelaide headlines with Bill 'Bojangles' Robinson; February, April, July & November 1931: Adelaide appears four times during her 1931/32 world tour with Noble Sissle; June 1933
  130. ^ Sampson, Henry T. (October 30, 2013). Blacks in Blackface: A Sourcebook on Early Black Musical Shows. Scarecrow Press. p. 524. ISBN 978-0-8108-8350-5. Archived from the original on February 22, 2024. Retrieved November 30, 2015.
  131. ^ a b c d e f g h i j Carlinsky, Dan (November 5, 1972). "The Palace and Its Life After Death". New York Daily News. p. 377. ISSN 2692-1251. Archived from the original on October 19, 2021. Retrieved October 18, 2021 – via newspapers.com.
  132. ^ "The Infinite Variety". New York Herald Tribune. November 1, 1931. p. G6. ProQuest 1114153268.
  133. ^ a b c "Helen Kane Sings New Baby Songs". The New York Times. November 4, 1929. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  134. ^ "The Week's Bills in the Varieties: The Castles on the Film—Many Headliners and Some Novelties on New Year Programmes". New-York Tribune. December 30, 1913. p. 7. ProQuest 575170857.
  135. ^ "Palace Summer Opening Headed by Gus Edwards: Liquid Refreshment Free to Patrons; New Bills Offered by Other Houses". New-York Tribune. June 7, 1921. p. 6. ProQuest 576406924.
  136. ^ a b "Pola Negri Appears at Palace Theatre; Talks and Sings in a Sketch of Despair of Love – Isham Jones and Band at Loew's State". The New York Times. September 12, 1932. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  137. ^ "Eddie Leonard Heads Bill This Week at Palace Theater". New York Herald Tribune. November 16, 1926. p. 19. ProQuest 1112650462.
  138. ^ "The Infinite Variety". New York Herald Tribune. April 12, 1931. p. G6. ProQuest 1114174753.
  139. ^ a b Martin, John (April 28, 1932). "Mary Wigman Gives Farewell Recital; Last Solo Appearance of the Dancer Here – To Bring Group of 15 Next Season". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  140. ^ "Dooley Doodle Revue' at Palace Theatre; Johnny Dooley Cuts High Jinks – Patti Moore and Her Dancers a Feature". The New York Times. June 22, 1926. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  141. ^ "Molly Picon a Hit at Palace Theatre; Impish Entertainer Sings Songs of East Side—Glenn Hunter in Sketch, And Sophie Tucker". The New York Times. June 24, 1929. ISSN 0362-4331. Archived from the original on August 6, 2020. Retrieved October 19, 2021.
  142. ^ Botto & Mitchell 2002, p. 67; Landmarks Preservation Commission 1987, p. 11.
  143. ^ a b c Bloom 2007, p. 204; Slide 2012, p. 386.
  144. ^ a b "Palace to Adopt Three-A-Day?". New York Daily News. April 28, 1932. p. 353. ISSN 2692-1251. Archived from the original on October 28, 2021. Retrieved October 19, 2021 – via newspapers.com.
  145. ^ a b Bloom 2007, pp. 203–204.
  146. ^ "Vaudeville: Palace 4-A-Day Every Day". Variety. Vol. 106, no. 8. May 3, 1932. pp. 25, 55. ISSN 0042-2738. ProQuest 1529005624.
  147. ^ "Four-A-Day Bill for Palace: Lower Prices Also Will Be Effective Saturday". New York Herald Tribune. May 8, 1932. p. 22. ProQuest 1114515620.
  148. ^ a b "Palace Film Next Week To Oust All-Vaudeville: Louis Sobol, Columnist, Heads Current Offering". New York Herald Tribune. July 11, 1932. p. 10. ProQuest 1114523398.
  149. ^ "Palace Theatre Changes Policy; Films to Be Added to Stage Show July 16 – Last of Straight Vaudeville Houses to Pass". The New York Times. July 9, 1932. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  150. ^ Bloom 2007, p. 203; Landmarks Preservation Commission 1987, p. 17.; Slide 2012, p. 386.
  151. ^ a b Bloom 2007, p. 204; Slide 2012, pp. 386–387.
  152. ^ Lamparski, Richard (September 28, 1982). Whatever Became Of ... ? Eighth Series. New York: Crown Publishers. pp. 182–183. ISBN 978-0-517-54346-7. Archived from the original on February 22, 2024. Retrieved October 3, 2020.
  153. ^ "Palace Theatre Passes to Pictures; Famed Broadway Home of Vaudeville to Be a Two-A-Day Film House Next Month". The New York Times. October 10, 1932. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  154. ^ a b c d e f g Bloom 2007, p. 204.
  155. ^ a b c Botto & Mitchell 2002, p. 67.
  156. ^ "Palace Again Presents 4-A-Day Variety Bill: Returns to Former Policy With 6 Acts on Program". New York Herald Tribune. January 9, 1933. p. 12. ProQuest 1221640244.
  157. ^ "Theatrical Notes". The New York Times. January 7, 1933. p. 11. ISSN 0362-4331. ProQuest 100651471.
  158. ^ "Palace Theater Offers 'Broadway Heat Wave' Show: Rita Rio Pleases Audience at Cabaret Style Stage Performance". The Hartford Courant. May 2, 1936. p. 18. ISSN 1047-4153. ProQuest 558730672.
  159. ^ "Premiere Tonight for 'Citizen Kane'; Orson Welles's First Picture, In Which He Is Aso Starred, Will Open at Palace". The New York Times. May 1, 1941. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  160. ^ "Pictures: RKO's Times Sq. Electric Sign for Fair Ballyhoo". Variety. Vol. 133, no. 12. March 1, 1939. p. 8. ISSN 0042-2738. ProQuest 1505733492.
  161. ^ a b "RKO Will Streamline the Palace Theatre; Alterations to Begin Monday After Old-Timers Party". The New York Times. July 20, 1939. ISSN 0362-4331. Archived from the original on March 10, 2018. Retrieved October 18, 2021.
  162. ^ a b Allen, Kelcey (August 31, 1939). "Amusements: RKO Palace Has New Lobby and Marquee". Women's Wear Daily. Vol. 59, no. 43. p. 23. ProQuest 1627488067.
  163. ^ a b "Broadway Theater Lobby Rebuilt in Modern Style". New York Herald Tribune. August 30, 1939. p. 31. ProQuest 1319968617.
  164. ^ Allen, Kelcey (April 28, 1949). "Theatres: Amusements: Silvers To Leave "High Button Shoes"". Women's Wear. Vol. 78, no. 83. p. 48. ProQuest 1565320485.
  165. ^ Calta, Louis (May 19, 1949). "Variety Returns to Palace Today; Refurbished Theatre to Offer 4 Stage Shows of 8 Acts, Plus Film Feature, Daily". The New York Times. ISSN 0362-4331. Archived from the original on March 29, 2018. Retrieved October 19, 2021.
  166. ^ Shanley, J. P. (May 15, 1949). "Palace Vaudeville; Vaudeville Returns to the Palace". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  167. ^ Shanley, J. P. (July 29, 1949). "Palace Acts Have Steady Clientele; Sol Schwartz Reports Variety Business 'Very Satisfactory' – 2D Road Troupe Set". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  168. ^ a b Pihodna, Joe (October 14, 1951). "2-A-Day Vaudeville Returns To Palace After 18 Years: Judy Garland to Headline 7-Act Bill Opening Tuesday at 'New' Theater". New York Herald Tribune. p. D1. ProQuest 1313652447.
  169. ^ Bloom 2007, pp. 204–205; Botto & Mitchell 2002, p. 67.
  170. ^ a b c d Slide 2012, p. 387.
  171. ^ Funke, Lewis (February 27, 1952). "Lauritz Melchior Heads New Bill Of Variety at Palace Theatre". The New York Times. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  172. ^ Atkinson, Brooks (March 12, 1952). "At the Theatre; Olsen and Johnson and the Jose Greco Spanish Dancers Lead New Palace Vaudeville". The New York Times. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  173. ^ Bloom 2007, p. 204; Botto & Mitchell 2002, p. 67; Slide 2012, p. 387.
  174. ^ Funke, Lewis (April 14, 1952). "At the Theatre; Betty Hutton Headlines Variety Bill at the Palace Theatre – on Stage 50 Minutes". The New York Times. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  175. ^ Bloom 2007, pp. 204–205; Botto & Mitchell 2002, p. 67; Slide 2012, p. 387.
  176. ^ Atkinson, Brooks (January 19, 1953). "At the Theatre; Danny Kaye Entertains the Palace Audience With Songs, Skits and Dances". The New York Times. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  177. ^ a b c d Bloom 2007, p. 205.
  178. ^ Crowther, Bosley (August 13, 1955). "Screen: 'The King's Thief'; Period Adventure Is Shown at Palace". The New York Times. ISSN 0362-4331. Archived from the original on October 19, 2021. Retrieved October 18, 2021.
  179. ^ a b Bloom 2007, pp. 204–205.
  180. ^ a b Bloom 2007, p. 205; Botto & Mitchell 2002, p. 67; Slide 2012, p. 387.
  181. ^ "Palace to Drop Vaudeville". The New York Times. July 25, 1957. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  182. ^ Crowther, Bostley (August 14, 1957). "Screen: 'Man of a Thousand Faces'; Cagney Plays Chaney in Film at Palace". The New York Times. ISSN 0362-4331. Archived from the original on November 6, 2020. Retrieved October 18, 2021.
  183. ^ Cameron, Kate (April 30, 2015). "'Citizen Kane' Is Superb: 1941 Review". New York Daily News. ISSN 2692-1251. Archived from the original on March 5, 2016. Retrieved November 30, 2015.
  184. ^ Crowther, Bosley (March 19, 1959). "An Eloquent 'Diary of Anne Frank'; Stevens Is Director of Film at Palace". The New York Times. ISSN 0362-4331. Archived from the original on June 23, 2021. Retrieved October 19, 2021.
  185. ^ Bloom 2007, p. 205; Botto & Mitchell 2002, p. 67.
  186. ^ Botto & Mitchell 2002, p. 67; Landmarks Preservation Commission 1987, p. 18.
  187. ^ Atkinson, Brooks (December 16, 1959). "The Theatre: Belafonte; Singer's Engagement at the Palace Begins". The New York Times. ISSN 0362-4331. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  188. ^ Zolotow, Sam (March 25, 1965). "Palace May Play Legitimate Role; Talks Begun on Conversion From Films to Drama". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  189. ^ a b c Zolotow, Sam (July 9, 1965). "A Detroit Family Buys the Palace; Nederlanders to Convert It Into Legitimate Theater". The New York Times. ISSN 0362-4331. Archived from the original on February 24, 2020. Retrieved October 17, 2021.
  190. ^ a b Davis, James (July 9, 1965). "Palace Theatre Sold; Will Go Legit in Fall". New York Daily News. p. 104. ISSN 2692-1251. Archived from the original on October 20, 2021. Retrieved October 19, 2021 – via newspapers.com.
  191. ^ a b c d e Esterow, Milton (January 14, 1966). "Old Palace Theater Prepares for a Musical; Interior Refurbished for 'Sweet Charity' by New Owners". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  192. ^ a b "Vaudeville: Switch of Palace to Legit House Seals Doom of Vaudeville on B'way". Variety. Vol. 239, no. 8. July 14, 1965. pp. 47, 50. ISSN 0042-2738. ProQuest 1014835726.
  193. ^ a b Morrison, Hobe (July 28, 1965). "Legitimate: Say Shows Will Have to Gross 65G for Palace Theatre to Break Even". Variety. Vol. 239, no. 10. pp. 103, 108. ISSN 0042-2738. ProQuest 963003262.
  194. ^ a b "Legitimate: Asides and Ad-Libs". Variety. Vol. 239, no. 13. August 18, 1965. pp. 56–57. ISSN 0042-2738. ProQuest 1032426965.
  195. ^ a b Morse, Tom (January 26, 1966). "Legitimate: Rate the Refurbished N.Y. Palace One of Most Beautiful Theatres; Opens Saturday (29) With 'Charity'". Variety. Vol. 241, no. 10. pp. 61, 64. ISSN 0042-2738. ProQuest 1014840320.
  196. ^ Botto & Mitchell 2002, p. 67; Landmarks Preservation Commission 1987, p. 15.
  197. ^ "New Palace Theater Will Have Two Bars". The New York Times. August 6, 1965. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 19, 2021.
  198. ^ "Playbill Rival Gets Palace". The New York Times. January 6, 1966. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  199. ^ Bloom 2007, p. 205; Botto & Mitchell 2002, p. 67; Landmarks Preservation Commission 1987, p. 18.
  200. ^ Canby, Vincent (January 30, 1966). "Palace Returns: That's Show Biz; Gwen Verdon Now Reigns at Vaudeville's Shrine". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  201. ^ a b c d e f g Botto & Mitchell 2002, p. 69.
  202. ^ a b "Sweet Charity Broadway @ Palace Theatre". Playbill. April 27, 1986. Archived from the original on September 22, 2021. Retrieved October 17, 2021.
    "Sweet Charity – Broadway Musical – Original". Internet Broadway Database. January 29, 1966. Archived from the original on September 25, 2017. Retrieved November 12, 2021.
  203. ^ Watt, Douglas (September 30, 1966). "Small World". New York Daily News. p. 493. ISSN 2692-1251. Archived from the original on October 19, 2021. Retrieved October 19, 2021 – via newspapers.com.
  204. ^ a b Dove, Ian (October 12, 1973). "The Pop Life". The New York Times. ISSN 0362-4331. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  205. ^ Botto & Mitchell 2002, pp. 67–69.
  206. ^ "Theater: Fisher and Hackett at Palace; Borscht Belt Spending 6 Weeks in Town". The New York Times. August 29, 1967. ISSN 0362-4331. Archived from the original on November 21, 2021. Retrieved November 21, 2021.
  207. ^ a b "Henry, Sweet Henry Broadway @ Palace Theatre". Playbill. December 31, 1967. Archived from the original on July 12, 2020. Retrieved October 17, 2021.
    "Henry, Sweet Henry – Broadway Musical – Original". Internet Broadway Database. October 23, 1967. Archived from the original on October 30, 2021. Retrieved November 12, 2021.
  208. ^ Botto & Mitchell 2002, p. 69; Landmarks Preservation Commission 1987, p. 29.
  209. ^ a b "George M! Broadway @ Palace Theatre". Playbill. April 26, 1969. Archived from the original on July 28, 2021. Retrieved October 17, 2021.
    "George M! – Broadway Musical – Original". Internet Broadway Database. April 10, 1968. Archived from the original on November 11, 2021. Retrieved November 12, 2021.
  210. ^ Calta, Louis (December 2, 1973). "News of the Stage". The New York Times. ISSN 0362-4331. Archived from the original on February 12, 2018. Retrieved October 19, 2021.
  211. ^ a b The Broadway League (December 3, 1973). "Bette Midler – Broadway Special – Original". IBDB. Retrieved May 23, 2024.
    "Bette Midler (Broadway, Palace Theatre, 1973)". Playbill. December 14, 2015. Retrieved May 23, 2024.
  212. ^ a b Parker, Jerry (December 4, 1973). "Bette Fans At Home At The Palace". Newsday. p. 99. ISSN 2574-5298. Archived from the original on October 19, 2021. Retrieved October 19, 2021 – via newspapers.com.
  213. ^ Cameron, Julia (April 18, 1976). "Shirley Maclaine-Back In Her Dancing Shoes". The New York Times. ISSN 0362-4331. Archived from the original on June 24, 2020. Retrieved October 19, 2021.
  214. ^ Barnes, Clive (June 15, 1976). "Stage: Diana Ross Bridges a Gap". The New York Times. ISSN 0362-4331. Archived from the original on January 28, 2021. Retrieved October 19, 2021.
  215. ^ "The 25th Annual Tony Awards – 1971 Broadway @ Palace Theatre". Playbill. March 28, 1971. Archived from the original on March 16, 2021. Retrieved October 19, 2021.
  216. ^ a b Bloom 2007, p. 205; Botto & Mitchell 2002, p. 69; Landmarks Preservation Commission 1987, p. 18.
  217. ^ "Openings of the Week". The New York Times. March 29, 1970. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  218. ^ "'Applause' Closes Saturday". The New York Times. May 24, 1972. ISSN 0362-4331. Archived from the original on April 22, 2022. Retrieved July 12, 2022.
  219. ^ a b "Applause Broadway @ Palace Theatre". Playbill. July 27, 1972. Archived from the original on June 13, 2021. Retrieved October 17, 2021.
    "Applause – Broadway Musical – Original". Internet Broadway Database. March 30, 1970. Archived from the original on October 3, 2016. Retrieved November 12, 2021.
  220. ^ Barnes, Clive (January 28, 1974). "Theater: Channing as Lorelei Again". The New York Times. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  221. ^ "Briefs On The Arts". The New York Times. October 9, 1974. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  222. ^ a b "Lorelei Broadway @ Palace Theatre". Playbill. November 3, 1974. Archived from the original on March 16, 2021. Retrieved October 17, 2021.
    "Lorelei – Broadway Musical – Original". Internet Broadway Database. January 27, 1974. Archived from the original on December 3, 2021. Retrieved November 12, 2021.
  223. ^ a b Botto & Mitchell 2002, p. 69; Landmarks Preservation Commission 1987, p. 18.
  224. ^ a b "Man of La Mancha Broadway @ Palace Theatre". Playbill. Archived from the original on March 17, 2021. Retrieved October 17, 2021.
    "Man of La Mancha – Broadway Musical – 1977 Revival". Internet Broadway Database. September 15, 1977. Archived from the original on November 13, 2021. Retrieved November 12, 2021.
  225. ^ Kerr, Walter (December 14, 1979). "Stage: 'Oklahoma!' Returns to Broadway; Free as the Breeze". The New York Times. ISSN 0362-4331. Archived from the original on August 26, 2021. Retrieved October 19, 2021.
  226. ^ a b "Oklahoma! Broadway @ Palace Theatre". Playbill. Archived from the original on February 9, 2021. Retrieved October 17, 2021.
    "Oklahoma! – Broadway Musical – 1979 Revival". Internet Broadway Database. December 13, 1979. Archived from the original on November 23, 2021. Retrieved November 12, 2021.
  227. ^ Lawson, Carol (July 23, 1980). "News of the Theater Simon Conjuring Up A 'Curse' for 1981; Curry to Do 'Brigadoon' 'Oklahoma!' to Close Profits and Changes". The New York Times. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  228. ^ Rich, Frank (March 30, 1981). "Stage: Lauren Bacall in 'Woman of Year'". The New York Times. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  229. ^ a b "Woman of the Year Broadway @ Palace Theatre". Playbill. Archived from the original on October 1, 2020. Retrieved October 17, 2021.
    "Woman of the Year – Broadway Musical – Original". Internet Broadway Database. March 29, 1981. Archived from the original on March 31, 2015. Retrieved November 12, 2021.
  230. ^ a b Botto & Mitchell 2002, p. 70.
  231. ^ Rich, Frank (August 22, 1983). "Stage: The Musical 'Cage Aux Folles'". The New York Times. ISSN 0362-4331. Archived from the original on July 12, 2022. Retrieved July 12, 2022.
  232. ^ "La Cage Aux Folles Broadway @ Palace Theatre". Playbill. November 15, 1987. Archived from the original on March 6, 2021. Retrieved October 16, 2021.
  233. ^ Dunlap, David W. (June 22, 1987). "Panel Weighs Designating Theater as Landmark". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  234. ^ Moritz, Owen (June 30, 1987). "Brake a Leg". New York Daily News. p. 412. ISSN 2692-1251. Archived from the original on October 19, 2021. Retrieved October 19, 2021 – via newspapers.com.
  235. ^ Purdum, Todd S. (March 12, 1988). "28 Theaters Are Approved as Landmarks". The New York Times. ISSN 0362-4331. Archived from the original on October 30, 2021. Retrieved November 20, 2021.
  236. ^ Dunlap, David W. (June 21, 1988). "Owners File Suit to Revoke Theaters' Landmark Status". The New York Times. ISSN 0362-4331. Archived from the original on October 29, 2021. Retrieved October 29, 2021.
  237. ^ Dunlap, David W. (May 27, 1992). "High Court Upholds Naming Of 22 Theaters as Landmarks". The New York Times. ISSN 0362-4331. Archived from the original on October 30, 2021. Retrieved October 29, 2021.
  238. ^ a b Bloom 2007, p. 206; Botto & Mitchell 2002, p. 70.
  239. ^ a b c "The Will Rogers Follies Broadway @ Palace Theatre". Playbill. September 5, 1993. Archived from the original on February 28, 2021. Retrieved October 17, 2021.
    "The Will Rogers Follies – Broadway Musical – Original". Internet Broadway Database. April 1, 1991. Archived from the original on October 21, 2021. Retrieved November 12, 2021.
  240. ^ Rich, Frank (May 2, 1991). "Review/Theater; The 2 Personalities of 'Will Rogers Follies'". The New York Times. ISSN 0362-4331. Archived from the original on September 29, 2016. Retrieved October 19, 2021.
  241. ^ "Theater". New York. April 19, 1993. p. 218. ISSN 0028-7369. Archived from the original on October 17, 2021. Retrieved October 17, 2021.
  242. ^ a b "Beauty and the Beast Broadway @ Palace Theatre". Playbill. March 9, 1994. Archived from the original on October 5, 2021. Retrieved October 16, 2021.
    "Beauty and the Beast – Broadway Musical – Original". Internet Broadway Database. April 18, 1994. Archived from the original on December 6, 2021. Retrieved November 12, 2021.
  243. ^ "'Beauty' Moving From Palace To the Fontanne". The New York Times. July 14, 1999. ISSN 0362-4331. Archived from the original on September 11, 2020. Retrieved October 19, 2021.
  244. ^ Zinoman, Jason (May 5, 2004). "'Aida' to Close In September After 4 1/2 Years". The New York Times. ISSN 0362-4331. Archived from the original on January 26, 2021. Retrieved October 19, 2021.
  245. ^ a b c "Aida Broadway @ Palace Theatre". Playbill. February 25, 2000. Archived from the original on July 5, 2021. Retrieved October 16, 2021.
    "Aida – Broadway Musical – Original". Internet Broadway Database. March 23, 2000. Archived from the original on November 19, 2021. Retrieved November 12, 2021.
  246. ^ a b "Legally Blonde Broadway @ Palace Theatre". Playbill. April 3, 2007. Archived from the original on September 22, 2021. Retrieved October 16, 2021.
    "Legally Blonde – Broadway Musical – Original". Internet Broadway Database. April 29, 2007. Archived from the original on July 4, 2008. Retrieved November 12, 2021.
  247. ^ a b Itzkoff, Dave (September 25, 2008). "'Blonde' to Close on Broadway". The New York Times. ISSN 0362-4331. Archived from the original on January 5, 2018. Retrieved October 19, 2021.
  248. ^ a b "West Side Story Broadway @ Palace Theatre". Playbill. February 23, 2009. Archived from the original on September 23, 2021. Retrieved October 16, 2021.
    "West Side Story – Broadway Musical – 2009 Revival". Internet Broadway Database. March 19, 2009. Archived from the original on November 15, 2021. Retrieved November 12, 2021.
  249. ^ a b Piepenburg, Erik (September 16, 2010). "'West Side Story' Revival To Close". The New York Times. ISSN 0362-4331. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  250. ^ a b "Priscilla Queen of the Desert Broadway @ Palace Theatre". Playbill. February 28, 2011. Archived from the original on October 19, 2021. Retrieved October 16, 2021.
    "Priscilla Queen of the Desert – Broadway Musical – Original". Internet Broadway Database. March 20, 2011. Archived from the original on December 9, 2021. Retrieved November 12, 2021.
  251. ^ a b Itzkoff, Dave (May 16, 2012). "Broadway Musical 'Priscilla Queen of the Desert' to Close". ArtsBeat. Archived from the original on June 27, 2021. Retrieved October 19, 2021.
  252. ^ a b "Annie Broadway @ Palace Theatre". Playbill. October 3, 2012. Archived from the original on November 12, 2021. Retrieved November 12, 2021.
    "Annie – Broadway Musical – 2012 Revival". Internet Broadway Database. November 8, 2012. Archived from the original on December 7, 2021. Retrieved November 12, 2021.
  253. ^ a b Healy, Patrick (September 5, 2013). "Broadway 'Annie' to Close in January". ArtsBeat. Archived from the original on October 2, 2019. Retrieved October 19, 2021.
  254. ^ "9 Broadway Theaters to Gain Disabled Accessibility". Times Union. Albany. January 29, 2014. Archived from the original on December 30, 2021. Retrieved December 30, 2021.
  255. ^ "9 Broadway Theaters to Gain Disabled Accessibility". Yahoo! Finance. February 11, 2015. Archived from the original on December 30, 2021. Retrieved December 30, 2021.
  256. ^ Chai, Barbara (April 22, 2014). "The Movie Experience in a Broadway Theater". The Wall Street Journal. ISSN 0099-9660. Archived from the original on October 19, 2021. Retrieved October 19, 2021.
  257. ^ Gioia, Michael (April 23, 2014). "Broadway's Palace Theatre Given $200,000 Makeover for Holler If Ya Hear Me". Playbill. Archived from the original on December 8, 2015. Retrieved November 30, 2015.
  258. ^ a b "Holler If Ya Hear Me Broadway @ Palace Theatre". Playbill. May 29, 2014. Archived from the original on March 3, 2021. Retrieved October 17, 2021.
    "Holler If Ya Hear Me – Broadway Musical – Original". Internet Broadway Database. June 19, 2014. Archived from the original on October 28, 2021. Retrieved November 12, 2021.
  259. ^ a b Healy, Patrick (July 14, 2014). "'Holler If Ya Hear Me' to Close on Sunday". ArtsBeat. Archived from the original on December 19, 2021. Retrieved February 23, 2022.
  260. ^ a b "An American in Paris Broadway @ Palace Theatre". Playbill. Archived from the original on September 29, 2021. Retrieved October 17, 2021.
    "An American in Paris – Broadway Musical – Original". Internet Broadway Database. Archived from the original on October 19, 2021. Retrieved November 12, 2021.
  261. ^ a b Isherwood, Charles (April 13, 2015). "Review: 'An American in Paris,' A Romance of Song and Step". The New York Times. ISSN 0362-4331. Archived from the original on February 23, 2022. Retrieved February 23, 2022.
  262. ^ a b "The Illusionists – Turn of the Century Broadway @ Palace Theatre". Playbill. November 25, 2016. Archived from the original on October 15, 2021. Retrieved October 16, 2021.
    "The Illusionists – Turn of the Century – Broadway Special – Original". Internet Broadway Database. Archived from the original on December 1, 2021. Retrieved November 12, 2021.
  263. ^ a b Soloski, Alexis (November 24, 2017). "Fool Me Twice? Yes, Please". The New York Times. ISSN 0362-4331. Archived from the original on December 28, 2023. Retrieved December 28, 2023.
  264. ^ a b "Sunset Boulevard Broadway @ Palace Theatre". Playbill. February 2, 2017. Archived from the original on March 3, 2021. Retrieved October 16, 2021.
    "Sunset Boulevard – Broadway Musical – 2017 Revival". Internet Broadway Database. Archived from the original on October 8, 2021. Retrieved November 12, 2021.
  265. ^ a b Brantley, Ben (February 10, 2017). "Review: That 'Sunset Boulevard' Close-Up, Finely Focused". The New York Times. ISSN 0362-4331. Archived from the original on March 24, 2022. Retrieved February 23, 2022.
  266. ^ Bindelglass, Evan (November 25, 2015). "Palace Theater To Be Lifted 29 Feet For Expanded Facilities And Retail". New York YIMBY. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  267. ^ Viagas, Robert (November 25, 2015). "Broadway's Palace Theatre Will Be Lifted by Four Floors to Make Room for Retail Space". Playbill. Archived from the original on December 8, 2015. Retrieved November 30, 2015.
  268. ^ Bindelglass, Evan (November 25, 2015). "Palace Theater To Be Lifted 29 Feet For Expanded Facilities And Retail". New York Yimby. Archived from the original on April 26, 2018. Retrieved December 2, 2015.
  269. ^ "City Council Approves Plans for TSX Broadway Redevelopment". The Real Deal New York. June 28, 2018. Archived from the original on September 23, 2018. Retrieved September 22, 2018.
  270. ^ Warerkar, Tanay (June 29, 2018). "Times Square's Palace Theatre Revamp Gets City Council Approval". Curbed NY. Archived from the original on September 24, 2019. Retrieved October 16, 2021.
  271. ^ "Huge Retail and Hotel Project Moves Forward in Times Square". Crain's New York Business. September 21, 2018. Archived from the original on January 3, 2019. Retrieved January 2, 2019.
  272. ^ a b "SpongeBob SquarePants, The Broadway Musical Broadway @ Palace Theatre". Playbill. Archived from the original on February 14, 2021. Retrieved October 17, 2021.
    "SpongeBob SquarePants – Broadway Musical – Original". IBDB. Archived from the original on November 2, 2019. Retrieved November 12, 2021.
  273. ^ a b Brantley, Ben (December 5, 2017). "Review: 'SpongeBob SquarePants,' A Watery Wonderland on Broadway". The New York Times. ISSN 0362-4331. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  274. ^ "'SpongeBob Squarepants' Musical Taking Its Final Bow on Broadway". Spectrum News. New York City. September 16, 2018. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  275. ^ Schillaci, Trevor (August 9, 2024). "Perkins Eastman, PBDW Architects, and Mancini Duffy complete TSX Broadway, a tower wrapped by colorful LED screens". The Architect's Newspaper. Retrieved August 28, 2024.
  276. ^ Warerkar, Tanay (June 29, 2018). "Times Square's Palace Theatre Revamp Gets City Council Approval". Curbed. Archived from the original on September 23, 2018. Retrieved October 14, 2018.
  277. ^ Hershberg, Marc (January 13, 2019). "Palace Theatre Project Hits a Snag". Forbes. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  278. ^ Young, Michael (April 30, 2020). "Demolition Steadily Progressing at 1568 Broadway, Future Home of TSX Broadway, In Times Square". New York YIMBY. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  279. ^ a b Thibault, Matthew (February 18, 2022). "Stars align to hoist historic Times Square theater for mixed-use project". Construction Dive. Archived from the original on January 16, 2023. Retrieved March 3, 2022.
  280. ^ Baird-Remba, Rebecca (May 6, 2021). "New Times Square Megatower, TSX Broadway, Begins to Take Shape". Commercial Observer. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  281. ^ "TSX Broadway's New Superstructure Begins Assembly at 1568 Broadway in Times Square, Manhattan". New York YIMBY. April 17, 2021. Archived from the original on October 16, 2021. Retrieved October 16, 2021.
  282. ^ Holmes, Helen (January 8, 2022). "Broadway's Palace Theatre Has Begun Its 8 Week, 30 Foot Ascent". Observer. Archived from the original on January 16, 2023. Retrieved January 8, 2022.
  283. ^ a b c d "Iconic Palace Theatre Being Lifted 30 Feet Above Times Square". ABC7 New York. January 7, 2022. Archived from the original on January 16, 2023. Retrieved January 8, 2022.
  284. ^ "Palace Theatre Completes 30-Foot Lift Within TSX Broadway, at 1568 Broadway in Times Square, Manhattan". New York YIMBY. May 4, 2022. Archived from the original on February 22, 2024. Retrieved May 21, 2022.
  285. ^ Carlin, Dave (May 5, 2022). "Effort to lift Times Square's Palace Theatre 30 feet off the ground finally accomplished". CBS News. Archived from the original on February 22, 2024. Retrieved May 21, 2022.
  286. ^ Young, Michael (June 27, 2023). "TSX Broadway's Tempo By Hilton Prepares For Late-Summer Opening At 1568 Broadway In Times Square, Manhattan". New York Yimby. Archived from the original on September 25, 2023. Retrieved September 26, 2023. YIMBY was informed that the Tempo by Hilton Times Square is targeting an opening date for later this summer, while the entire TSX Broadway property will open in the first quarter of 2024.
  287. ^ a b Higgins, Molly (March 18, 2024). "Ben Platt Will Play Concert Residency at Broadway's Palace Theatre". Playbill. Retrieved March 18, 2024.
    Evans, Greg (March 18, 2024). "Ben Platt Sets 18-Performance Residency At Broadway's Newly Refurbished Palace Theatre". Deadline. Retrieved March 18, 2024.
  288. ^ Hall, Margaret (June 15, 2024). "Ben Platt Completes Palace Theatre Residency June 15". Playbill. Retrieved July 4, 2024.
  289. ^ a b The Broadway League (November 14, 2024). "Tammy Faye – Broadway Musical – Original". IBDB. Retrieved November 14, 2024.
    "Tammy Faye (Broadway, Palace Theatre, 2024)". Playbill. March 22, 2024. Retrieved November 14, 2024.
  290. ^ a b Higgins, Molly (March 22, 2024). "Katie Brayben and Andrew Rannells to Star in Tammy Faye on Broadway". Playbill. Retrieved March 18, 2024.
    Quinn, Dave (March 22, 2024). "'Tammy Faye' Heads to Broadway! Elton John and Jake Shears' Divine Musical to Debut This Fall". People. Retrieved March 22, 2024.
  291. ^ Culwell-Block, Logan (November 19, 2024). "Broadway's Tammy Faye Abruptly Sets Final Performance". Playbill. Retrieved November 20, 2024.
  292. ^ Paulson, Michael (November 19, 2024). "'Tammy Faye' Musical to Close After Failing to Find Broadway Audience". The New York Times. Retrieved November 20, 2024.
  293. ^ Evans, Greg (December 10, 2024). "'Glengarry Glen Ross' Broadway Revival Sets March Opening Date, Venue". Deadline Hollywood. Retrieved December 10, 2024.
  294. ^ a b c d DiLella, Frank (October 27, 2017). "Touring Broadway's Haunted Past". Spectrum News. New York City. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  295. ^ a b c d Gainer, Elise (2013). Ghosts and Murders of Manhattan. Images of America. Arcadia. p. 120. ISBN 978-0-7385-9946-5. Archived from the original on October 18, 2021. Retrieved October 18, 2021.
  296. ^ a b "Acrobat Plunges to Palace Stage; Badly Hurt When He Misses Partner's Hands After a Double Somersault". The New York Times. August 28, 1935. ISSN 0362-4331. Archived from the original on September 12, 2021. Retrieved October 18, 2021.
  297. ^ a b c d Bloom 2007, p. 205; Landmarks Preservation Commission 1987, p. 18.
  298. ^ "Cyrano Broadway @ Palace Theatre". Playbill. June 23, 1973. Archived from the original on September 21, 2021. Retrieved October 17, 2021.
    "Cyrano – Broadway Musical – Original". Internet Broadway Database. May 13, 1973. Archived from the original on October 20, 2021. Retrieved November 12, 2021.
  299. ^ "Goodtime Charley Broadway @ Palace Theatre". Playbill. May 31, 1975. Archived from the original on April 26, 2020. Retrieved October 17, 2021.
    "Goodtime Charley – Broadway Musical – Original". Internet Broadway Database. March 3, 1975. Archived from the original on February 18, 2022. Retrieved November 12, 2021.
  300. ^ "Home Sweet Homer Broadway @ Palace Theatre". Playbill. January 4, 1976. Archived from the original on February 21, 2020. Retrieved October 17, 2021.
    "Home Sweet Homer – Broadway Musical – Original". Internet Broadway Database. January 4, 1976. Archived from the original on November 25, 2021. Retrieved November 12, 2021.
  301. ^ "Shirley MacLaine Broadway @ Palace Theatre". Playbill. July 9, 1976. Archived from the original on December 7, 2017. Retrieved October 17, 2021.
    "Shirley MacLaine Broadway @ Palace Theatre". Playbill. April 19, 1976. Archived from the original on September 29, 2020. Retrieved October 17, 2021.
    "Shirley MacLaine – Broadway Special – Original". Internet Broadway Database. April 19, 1976. Archived from the original on December 7, 2021. Retrieved November 12, 2021.
  302. ^ "An Evening with Diana Ross Broadway @ Palace Theatre". Playbill. July 3, 1976. Archived from the original on May 28, 2019. Retrieved October 17, 2021.
    "An Evening With Diana Ross – Broadway Special – Original". Internet Broadway Database. June 14, 1976. Archived from the original on October 26, 2021. Retrieved November 12, 2021.
  303. ^ "The Grand Tour Broadway @ Palace Theatre". Playbill. Archived from the original on March 4, 2021. Retrieved October 17, 2021.
    "The Grand Tour – Broadway Musical – Original". Internet Broadway Database. January 11, 1979. Archived from the original on December 14, 2021. Retrieved November 12, 2021.
  304. ^ "Beatlemania Broadway @ Winter Garden Theatre". Playbill. Archived from the original on December 15, 2020. Retrieved October 17, 2021.
    "Beatlemania – Broadway Musical – Original". Internet Broadway Database. May 31, 1977. Archived from the original on November 25, 2021. Retrieved November 12, 2021.
  305. ^ "La Cage Aux Folles Broadway @ Palace Theatre". Playbill. Archived from the original on March 6, 2021. Retrieved October 17, 2021.
    "La Cage aux Folles – Broadway Musical – Original". Internet Broadway Database. August 21, 1983. Archived from the original on December 7, 2021. Retrieved November 12, 2021.
  306. ^ "Minnelli on Minnelli Broadway @ Palace Theatre". Playbill. Archived from the original on May 20, 2021. Retrieved October 17, 2021.
    "Minnelli on Minnelli – Broadway Special – Original". Internet Broadway Database. December 8, 1999. Archived from the original on November 24, 2021. Retrieved November 12, 2021.
  307. ^ "All Shook Up Broadway @ Palace Theatre". Playbill. Archived from the original on October 19, 2021. Retrieved October 17, 2021.
    "All Shook Up – Broadway Musical – Original". Internet Broadway Database. March 24, 2005. Archived from the original on November 11, 2021. Retrieved November 12, 2021.
  308. ^ "Lestat Broadway @ Palace Theatre". Playbill. Archived from the original on July 13, 2021. Retrieved October 17, 2021.
    "Lestat – Broadway Musical – Original". Internet Broadway Database. April 25, 2006. Archived from the original on November 8, 2021. Retrieved November 12, 2021.
  309. ^ "Liza's at the Palace.... Broadway @ Palace Theatre". Playbill. Archived from the original on July 17, 2020. Retrieved October 17, 2021.
    "Liza's at the Palace.... – Broadway Special – Original". Internet Broadway Database. December 3, 2008. Archived from the original on November 12, 2021. Retrieved November 12, 2021.
  310. ^ "The Temptations & The Four Tops On Broadway Broadway @ Palace Theatre". Playbill. Archived from the original on October 15, 2021. Retrieved October 17, 2021.
    "An American in Paris – Broadway Musical – Original". Internet Broadway Database. Archived from the original on October 19, 2021. Retrieved November 12, 2021.

Sources

[edit]
[edit]
Wikimedia Commons has media related to Palace Theatre (New York City).
Retrieved from "https://en.wikipedia.org/w/index.php?title=Palace_Theatre_(New_York_City)&oldid=1263073701"