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Deadlier Than the Male

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For the 1966 song, see Deadlier Than the Male (song). For the 2005 television episode, see Ultimate Force. For the 1956 film, see Deadlier Than the Male (1956 film).

Deadlier Than the Male
UK cinema poster
Directed byRalph Thomas
Screenplay byJimmy Sangster
David D. Osborn
Liz Charles-Williams
Story byJimmy Sangster
Based onBulldog Drummond
by Sapper
Gerard Fairlie
Produced byBetty E. Box
StarringRichard Johnson
Elke Sommer
Sylva Koscina
Nigel Green
CinematographyErnest Steward
Edited byAlfred Roome
Music byMalcolm Lockyer
title song performed by The Walker Brothers
Production
company
Greater Films Ltd.
Distributed byRank Film Distributors
Release date
  • 12 February 1967 (1967-02-12) (UK)
Running time
98 minutes
CountryUnited Kingdom
LanguageEnglish
Budget$1.7 million[1] or £588,597[2]

Deadlier Than the Male is a 1967 British crime and mystery film directed by Ralph Thomas and starring Richard Johnson and Elke Sommer.[3] It is one of the many take-offs of James Bond produced during the 1960s, but is based on an already established detective fiction hero, Bulldog Drummond.

Drummond, updated to a suave Korean War veteran, trails a pair of sexy assassins who kill for sport and profit.

The title is a reference to the 1911 Rudyard Kipling poem The Female of the Species, which includes the line, "The female of the species must be deadlier than the male", and also refers to Sapper's earlier Drummond book, The Female of the Species.

A sequel, Some Girls Do, followed in 1969.

Plot

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Glamorous assassin Irma Eckman, disguised as an air stewardess, kills oil tycoon Henry Keller with a booby-trapped cigar aboard his private jet, parachuting away before the plane explodes. She is picked up by a speedboat driven by her partner in crime, the equally beautiful Penelope. The villainous pair then murder David Wyngarde, making it look like a spear fishing accident. Sir John Bledlow, one of the directors of Phoenecian Oil, suspects that both deaths were the result of foul play; he had received an urgent message from Wyngarde that he needed to get in touch with Keller regarding a "matter of life and death". He asks Wyngarde's friend, Hugh "Bulldog" Drummond, to investigate.

A representative of an unknown party had approached Phoenecian and offered to overcome Keller's opposition to a merger with Phoenician within six months for one million pounds. Irma shows up at a board meeting to collect. However, the board is divided – with Henry Bridgenorth being the most vocal in opposition – and the vote is five to four against paying. That night, Irma and Penelope visit Bridgenorth at his apartment, with fatal results. When the board reconvenes, the directors vote unanimously to pay.

Carloggio, Wyngarde's servant, delivers a tiny bit of a taped message Wyngarde had recorded. Only part of one sentence remains (the assassins stole the rest). Irma and Penelope silence Carloggio, then Penelope delivers a box of deadly cigars to Drummond's flat while he is out. Brenda, a girl Drummond's nephew Robert has brought back to the flat, narrowly escapes the same fate as Keller. Later that night, another attempt is made on Drummond's life.

The next day, Irma makes Phoenecian another proposition: to get them the oil concession in the country of Akmata, despite the King's determination to develop the oil fields himself, for another million pounds. Drummond realises that the King's assassination is what the garbled tape was referring to. Meanwhile, Penelope abducts and tortures Robert, but he can tell her nothing. Drummond follows Irma back to their flat and is able to rescue Robert before he is blown up by a bomb left behind by the two women. He is then astonished to discover that Robert is an old college friend of the Akmatan King Fedra.

Irma does away with Weston, another Phoenecian board member. Drummond travels to the Mediterranean coast. After meeting and warning King Fedra, he is invited to a castle owned by the wealthy Carl Petersen, the genius behind the assassinations. It turns out that Petersen is none other than Weston. Drummond is not allowed to leave the castle. Irma attempts to seduce Drummond to distract him, but to her fury, he rejects her advances. Grace, one of Petersen's women, confides her desire to leave to Drummond, but Petersen is watching and listening electronically. Penelope is more successful in being Drummond's minder for Petersen and spends the night in Drummond's bed.

Petersen gives Grace a "second chance"; she uses the opportunity to board the King's yacht as soon as she has the chance, just as Petersen had planned. While playing chess against Petersen with giant motorized pieces, Drummond learns that Grace is unwittingly carrying the bomb intended for the King. He kills Petersen's bodyguard Chang and drops Petersen into the hole through which a chess piece is removed from play.

Drummond and Robert race to the King's yacht, capturing Irma and Penelope along the way, and bringing them along. When Irma and Penelope refuse to tell him where the bomb is hidden, Drummond searches Grace for the explosive, finally stripping her naked and throwing her overboard. When the guard holding Irma and Penelope at gunpoint is distracted by this, the pair escape. As they race away in a speedboat, Irma reveals that the bomb is in Grace's hairclip. Penelope is aghast; having envied Grace's chignon, she stole it and is wearing it. The two assassins are killed when it explodes. Meanwhile, Drummond and Robert dive into the sea to rescue Grace.

Cast

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Production

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The film was publicity announced in December 1964,[4] under the title of Female of the Species,[5] but it was not filmed until 1966. It was the first production from Amerlon Productions, a subsidiary of Inflight, the company that showed in-flight movies.[1]

Filming, in Technicolor and Techniscope, began in London on 23 May 1966.[6] Portions of the film were shot in Lerici and La Spezia, Liguria, Italy.[7]

In an interview, Ralph Thomas stated that the film was intended as a pilot for a television series.[8] It was filmed in three months with Thomas admitting he did it for "greed. I had three months; they gave me a lot of money; I had a lot of fun and I enjoyed making it. It was a great location and the picture looked gorgeous. That's it."[8]: 113 

Sommer was paid $170,000 for her role.[9]

Johnson later said:

I consciously tried to use more of myself than in anything else I've done... It was an entirely new creation that was not in the Drummond books. I couldn't respect the man. He was bigoted and brutal. A Nazi character. I didn't attempt to make myself into that character. We started with a fresh page. I said, all right, if you want me, you'll get me, but this is a braver, more physical version of me.[10]

The producers battled the British Board of Film Censors who strongly objected to the film's use of women assassins, torture and promiscuity, earning the film an X rating.[7]: 197 

Music

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"Deadlier Than the Male", the song featured in the film's opening credit sequence, was performed by the Walker Brothers.

Critical reception

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The Monthly Film Bulletin wrote: "Bulldog Drummond is here resurrected for the screen in a form to meet the demands of contemporary folklore, and comes off rather the worse for it. His adversaries have changed too: Carl Petersen duly makes his appearance towards the end in a preposterous game of chess with lifesize, electronically operated chessmen, but most of Drummond's attention is engaged by two sinisterly seductive females who deal out torture and time-bombs with sadistic glee. Worse, the film has been dolled up with a glossy veneer (exploding cigars, a luxury yacht) which succeeds only in giving it the look of a poor imitation. Richard Johnson performs adequately enough in the face of the script's parade of well-worn clichés, but Elke Sommer and Sylva Koscina have little more to do than look voluptuously villainous. The original Drummond would have found the whole thing rather distasteful."[11]

References

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  1. ^ a b Weiler, A. H. (30 January 1966). "Comedians' and Others Enlisted in Future Film Wars: More About Movie Matters". The New York Times. p. X11.
  2. ^ Chapman, J. (2022). The Money Behind the Screen: A History of British Film Finance, 1945-1985. Edinburgh University Press p 360
  3. ^ "Deadlier Than the Male". British Film Institute Collections Search. Retrieved 7 January 2024.
  4. ^ Films and Filming. Vol. 10. Hansom Books. 1964. p. 57.
  5. ^ "Pinewood carries on--with £9m". The Guardian. London (UK). 18 February 1964. p. 5.
  6. ^ Martin, Betty (13 April 1966). "'The Visitors' Film Roles Set". Los Angeles Times. p. d11.
  7. ^ a b p. 197 Spicer, Andrew Sydney Box Manchester University Press, 05/09/2006
  8. ^ a b Dixon, Wheeler W. Ralph Thomas Interview Collected Interviews: Voices from Twentieth-Century Cinema 2001 SIU Press
  9. ^ Florabel Muir:. (2 July 1966). "Hitchcock Reveals Suspense Secret". The Washington Post. p. C14.
  10. ^ Alpert, Don. (25 September 1966). "Why Johnson Got into Act". Los Angeles Times. p. m9.
  11. ^ "Deadlier Than the Male". The Monthly Film Bulletin. 34 (396): 44. 1 January 1967. ProQuest 1305828738 – via ProQuest.
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