Joey Skaggs
This article contains promotional content. (September 2024) |
Joey Skaggs | |
---|---|
Born | 1945 (age 78–79) United States |
Other names | Kim Yung Soo, Joe Bones, Joseph Bonuso, Giuseppe Scaggoli, Peppe Scaggolini, Dr. Josef Gregor, Joseph Virgil Skaggs, Dr. Richard J. Long, Dr. Joseph Schlafer, Dr. Joseph Chenango, Baba Wa Simba, Joseph Bucks, Jojo the Gypsy, Joseph Howard, Joseph Adore, Joseph Sullivan, and the Rev. Anthony Joseph. |
Education | High School of Art and Design School of Visual Arts (BFA) |
Occupation(s) | Artist, writer, lecturer |
Website | https://joeyskaggs.com/ |
Joey Skaggs (born 1945) is an American multi-media artist, social activist, cultural satirist, media critic, and educator known for addressing social issues through unconventional art forms. Although classically trained in painting and sculpture, Skaggs transitioned to public performance art in 1966.[1] He began to use the spectacle of public performance, frequently with humor and satire, to provoke the media to report on the work.[2] This work, which developed into his own form of media activism, blends fine art, theatrical performance, guerrilla theater,[3] and techniques from advertising and public relations. It frequently employs aliases. Skaggs’ media activism is also characterized by its independence from formal sponsorship or commercial backing. Skaggs' works challenge power structures and advocate for social change. According to his website, Skaggs aims to inspire audiences to think critically, question authority, exercise media literacy, and explore diverse sources of information. He is recognized as one of the originators of culture jamming.[4][5]
Films
[edit]In 2017, the feature documentary Art of the Prank, directed by Andrea Marini and focusing on artist Joey Skaggs, was released internationally on television and streaming platforms after screening at film festivals.[6][7][8]
In 2020, production began on a series of short oral history films titled Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond. The films document firsthand accounts of Skaggs’ art and satirical performances, exploring the planning, execution, and impact of his interventions. They aim to preserve the legacy of his critique on media and societal norms, while examining public and media reactions to his work. The series serves as both an educational resource and historical archive, highlighting Skaggs’ role as a pioneer in performance art and media activism. Individual episodes have been screened at film festivals in the United States[9] and internationally[10] as production continues.
Partial works
[edit]1960s and 1970s
[edit]Crucifixion
[edit]In the late 1960s, Joey Skaggs erected a life-size sculpture depicting a decayed Jesus Christ in Tompkins Square Park to critique religious hypocrisy within the Church. The piece was later exhibited in 1967 at New York University and two Central Park Be-ins. In 1969, Skaggs brought a duplicate of the sculpture to St. Patrick’s Cathedral, where church officials denied him entry, and he was removed by police.[1]
Hippie Bus Tour to Queens
[edit]In 1968, Joey Skaggs took a group of approximately 60 East Village hippies to suburban Queens to satirize tour buses that brought visitors to Greenwich Village to observe the hippie counterculture. Participants included publisher Paul Krassner and artist Yayoi Kusama, who painted polka dots on nude dancers as part of the performance. The event received media attention, including an interview with Skaggs on the Today Show, a front-page article in the Daily News, and coverage in The New York Times and other publications.[11]
Vietnamese Christmas Nativity Burning
[edit]Joey Skaggs staged a protest against the Vietnam War on Christmas Day, creating a life-size Nativity scene with symbolic elements to critique U.S. involvement in the conflict. The display, set up in Central Park, included a manger, papier-mâché figures such as pigs in police hats, sheep holding briefcases, and a camel representing Hubert Humphrey. It also featured depictions of John F. Kennedy, Bobby Kennedy, and Martin Luther King Jr. as beheaded wise men, along with a Vietnamese baby Jesus surrounded by peasant sculptures of Mary and Joseph. Skaggs and his collaborators, dressed as American soldiers, planned to set the display on fire but authorities intervened.[12] The event was reported in The New York Times under the headline “Yippie ‘Nativity Scene’ Leads to Tickets for Littering.” [13]
Earlville Opera House
[edit]In 1971, while living on a dairy farm in central New York, Joey Skaggs learned about the Earlville Opera House, a historic building constructed in 1892 in Earlville, New York, that was slated for demolition to make way for a parking lot. Skaggs purchased the building and led a campaign to preserve it. Today the opera house is listed on the National Register of Historical Places and operates as a vibrant performance and exhibition venue. It celebrated its 50th anniversary as a cultural center in 2022.[14]
Cathouse for Dogs
[edit]In 1976, Joey Skaggs placed an ad in New York’s Village Voice promoting a "Cathouse for Dogs," claiming pet owners could pay $50 for their dogs to be sexually gratified. When the media expressed interest, Skaggs staged an event with volunteers and dogs and later provided video footage to WABC-TV, which was incorporated into the documentary, It's A Dog's Life, which addressed animal cruelty and won an Emmy.[15] Skaggs was subpoenaed by the Attorney General’s office for operating a bordello for dogs. At the hearing, he revealed the hoax, emphasizing the role of media in misrepresentation. WABC-TV did not issue a correction. The "Cathouse for Dogs" is regarded as Skaggs’ first major media hoax.[16][17][18]
Celebrity Sperm Bank
[edit]Later in 1976, under the alias Giuseppe Scaggoli, Joey Skaggs announced an auction for a fictitious “Celebrity Sperm Bank,” claiming to offer sperm from rock stars such as Mick Jagger, Bob Dylan, and John Lennon. On the day of the supposed event, Skaggs staged a scene outside a brownstone on Waverly Place in New York City, featuring actors posing as bidders and protesters. When the media arrived, Skaggs claimed the sperm had been stolen and read a ransom note that humorously referenced activist Abbie Hoffman. Despite the event not occurring as advertised, it attracted significant media attention in both print and broadcast news.[19][20][21]
1980s and 1990s
[edit]Metamorphosis, Cockroach Miracle Cure
[edit]In 1981, Joey Skaggs orchestrated the “Metamorphosis Cockroach Miracle Cure” hoax to critique the media’s susceptibility to sensational stories. Using the alias Dr. Josef Gregor—an allusion to Gregor Samsa, the protagonist in Franz Kafka’s novella The Metamorphosis—Skaggs held a press conference dressed in a white suit and Panama hat adorned with fake cockroaches. He claimed to have developed a “miracle cure” derived from hormones extracted from super-roaches immune to toxins, asserting it could treat conditions such as acne, anemia, and radiation exposure. Accompanied by friends, colleagues, and students from the School of Visual Arts, Skaggs offered the cure “freely to the world.” Despite overt references to Kafka’s story, the hoax went unnoticed and was widely reported, including by UPI.[22] Skaggs, in character as Dr. Gregor, appeared on WNBC-TV’s Live at Five, where he was interviewed about the discovery. Media outlets, including People and The Wall Street Journal, later exposed the hoax, though WNBC-TV did not issue a retraction.[23]
Fish Condos
[edit]In 1983, Joey Skaggs created “Fish Condos,” a series of aquatic sculptures designed to resemble bedrooms, bathrooms, living rooms, and kitchens, intended for upwardly mobile guppies. While some speculated whether the pieces were part of a hoax, the fish tanks were functional and real. The sculptures satirized gentrification in New York City and commented on environmental degradation. “Fish Condos” received significant media coverage, appearing in New York Magazine, Life, and the Neiman Marcus Christmas Catalog,[24] among other outlets. They were also featured on television and exhibited in museums and galleries worldwide.[25][26]
Bad Guys Talent Management Agency
[edit]In 1984, Joey Skaggs created the fictitious “Bad Guys Talent Management Agency” to help his friend Verne Williams fulfill his dream of becoming an actor. The agency claimed to represent “bad guys, bad girls, bad kids, and bad dogs.” Skaggs designed a mock FBI wanted poster as a headshot for Williams and sent it to casting agents in New York City, leading to Williams securing a role in Berry Gordy’s feature film The Last Dragon and launching his acting career. The story gained media attention, including coverage in People Magazine and other outlets, which led to an influx of aspiring “bad” actors seeking representation. Some of these actors went on to land roles in films, television shows, and commercials. As interest grew, Skaggs handed over the agency to one of the actors, as he was not interested in running a talent management business.[27]
The Fat Squad
[edit]In 1986, Joey Skaggs, under the alias Joe Bones, created the “Fat Squad,” a fictitious organization offering to enforce clients’ diets for $300 a day with a three-day minimum. The "Fat Squad Commandos" claimed to monitor clients and prevent them from cheating on their diets, operating under the motto, “You can hire us, but you cannot fire us. Our commandos take no bribes.” The hoax attracted significant media attention, including a segment on ABC’s Good Morning America, where a staged scene featured a client and commandos guarding a refrigerator. The following day, after viewers alerted ABC to Bones’ true identity, Skaggs revealed the stunt as a hoax, highlighting how the media could be easily misled.[28][29]
April Fool’s Day Parade
[edit]In 1986, Joey Skaggs announced the creation of the “Annual New York City April Fools’ Day Parade,” a satirical event publicized each year through a press release. The fictional parade is described as featuring satirical floats and performers parodying political figures and social issues. According to the press release, the route begins at Fifth Avenue and 59th Street and ends at Washington Square Park, where the “King of Fools” is crowned.[30][31][32]
Comacocoon
[edit]Joey Skaggs, under the alias Dr. Joseph Schlafer, launched "Comacocoon," a fictitious service claiming to offer dream-state vacations. The service promised clients they could quit smoking, undergo elective surgery, learn a foreign language, or wake up with a tan—all without leaving home. The project attracted media attention, and after a reporter contacted the police, officers arrived to investigate what they believed was a drug-related operation. Skaggs then revealed the stunt as a performance art piece.[33][34]
Hair Today, Ltd.
[edit]Joey Skaggs, under the alias Dr. Joseph Chenango, a Native American surgeon, introduced scalp transplants from cadavers as a cure for baldness. Claiming the procedure was safe and FDA-approved, he sought scalp donors with no male pattern baldness in high-risk jobs like electric linesmen and deep-sea divers.[35]
Portofess hoax
[edit]Posing as a Catholic priest, Skaggs pedaled a confessional booth mounted on a tricycle to the 1992 Democratic National Convention in New York City. The hoax fooled dozens of journalists who published articles nationwide about how "Portofess" offered "religion on the move for people on the go."[36][37]
SEXONIX
[edit]Under the alias Dr. Joseph Skaggs, Joey launched SEXONIX, a sexual virtual reality company. SEXONIX planned to be debuted at the Metro Toronto Christmas Gift and Invention Show. Before it could be launched, Skaggs claimed Canadian customs had seized the equipment after declaring it morally offensive. He posted on electronic bulletin boards asking for help getting his equipment returned. Journalist Brock Meeks investigated but found no evidence of the confiscation. This performance is the first documented internet hoax.[38]
Maqdananda Psychic Attorney
[edit]Joey Skaggs created a commercial featuring Maqdananda, a new-age psychic attorney who claimed he could predict outcomes for his clients. Offering services like psychic surgery malpractice and renegotiating past-life contracts, the ad aired on CNN Headline News across the Hawaiian Islands. Callers to 1-808-UCA-DADA were met with the message, “I knew you’d call.” [27]
Dog Meat Soup
[edit]Joey Skaggs sparked outrage by posing as Kim Yung Soo, head of a company offering to buy unwanted dogs for $.10 a pound for human consumption. As a result of his hoax there was an increase in false accusations and rumors spread about disappearing dogs through the media.[39][40][41]
Baba Wa Simba
[edit]Joey Skaggs, posing as "Baba Wa Simba," a New Age therapist who claimed to heal inner pain with lion-like "roarings." British media—including ITV and BBC—covered his therapy sessions. The hoax was revealed on Channel 4's The Word. Skaggs would later use the incident to challenge Brazil’s TV Globo involvement.[42][43]
The Solomon Project
[edit]Joey Skaggs, posing as Dr. Joseph Bonuso, Ph.D., announced the creation of the "Solomon Project," an AI program claimed to eliminate bias in the U.S. judicial system. After CNN covered the story that Solomon had found O.J. Simpson guilty, Skaggs revealed the hoax.[44][45][46]
STOP BioPEEP
[edit]Dr. Joseph Howard (a.k.a. Joey Skaggs) blew the whistle on BioPEEP, a covert research initiative designed to genetically modify humans into “consumer junkies” and weaponize their addiction for targeted “gene-ocide,” implying that entire genetic groups could be eliminated before they could retaliate.[33][3]
Doody Rudy
[edit]Joey Skaggs led a protest in Washington Square Park against Mayor Rudy Giuliani’s efforts to limit creative expression and his “quality of life” campaign targeting the homeless. Skaggs and his team of co-conspirators erected a 10’ x 14’ painting of Giuliani as the Madonna, painted by artist Steve Powers (ESPO). Participants wore “Doody Rudy” hats and wheeled a trashcan filled with fake elephant dung, holding signs that read, “Doody Rudy with Dumbo’s Dung” and “Help Support the Homeless — $1.00 Contribution Per Throw Will be Donated to Housing Works, Inc.”. Hundreds threw dung at the portrait, mocking Giuliani’s outrage over Chris Ofili’s “Holy Virgin Mary” painting that utilized elephant dung (a Nigerian cultural practice) and was on display at the Brooklyn Museum. Skaggs donated the raised funds to Housing Works, a non-profit assisting homeless individuals with AIDS.[47][48][49]
2000 to present
[edit]The Final Curtain
[edit]Joey Skaggs launched "Investors Real Estate Development," a company promoting theme-park cemeteries with ads teasing, “Death got you down? At last, an alternative.” The hoax, featuring a Disney-like memorial park and mall, centered around life, death, and burial. Years later, after Michael Jackson's death, conspiracy theorists believed Skaggs and Jackson had collaborated to fake the pop star’s death. Fans of the musician asked Skaggs to reveal Jackson’s secret whereabouts.[50][51][52][53]
Bush!
[edit]Joey Skaggs staged a faux pro-Bush parade in New York City's Washington Square Park to mock President George W. Bush’s leadership. The parade, with over 75 participants, included singers, cheerleaders, and actors portraying government officials. Uncle Sam (Skaggs) pedaled a replica White House on a tricycle, while "Bush," surrounded by weapons of war and a pen to rewrite the Constitution, sat inside on a bucket labeled "Presidential Fertilizer." Bush's Cabinet members and Saudi royals handed out fake $20 bills to the crowd to "buy" votes.[54]
Mobile Homeless Homes
[edit]Joey Skaggs, also known as Recycle Man, unveiled Mobile Homeless Homes, a sculpture designed as a “Trojan house” consisting of live-in garbage cans connected on a trailer pulled by a tricycle. This mobile home aimed to blend into urban environments and evade detection by authorities. Skaggs organized a parade to Goldman Sachs, a key player in the housing scandal, featuring costumed “homeless Muppets” and a band performing “Mobile Homeless Blues,” referencing Goldman Sachs employees’ derogatory term for clients who lost their homes.[55]
Santa's Missile Tow
[edit]Dressed as Santa Claus, Joey Skaggs pedaled a tricycle equipped with a nuclear missile on a slingshot launcher to the United Nations in New York City. Accompanied by six performance artists dressed as elves, he delivered a message to world leaders: “Peace on Earth – Or Else.” Skaggs and his “elves” sang a parody of “Jingle Bells” with lyrics highlighting the absurdity of the threat of nuclear war.[56]
Bigfoot and The Tiny Top Circus
[edit]Joey Skaggs, as Peppe Scaggolini, introduced Bigfoot to the public at Washington Square Park, showcasing the creature towed by a tricycle pedaled by the world's strongest man. The event, part of the Tiny Top Circus—a whimsical pataphysical circus—featured a ringmaster, armed guards, jugglers, and the Coney Island Sideshow Band. However, the creature (Skaggs in a large hairy foot costume) made an escape into the West Fourth Street subway station, prompting the circus to offer a $10 million reward for its safe return.[57][58]
Political protests
[edit]Joey Skaggs staged a series of theatrical protests against President Donald Trump as part of his Annual New York City April Fools’ Day Parade. In 2017, the 32nd Annual Parade featured “Trump’s Golden Throne,” a sculpture with a life-sized effigy of Trump tweeting while seated on a golden throne mounted on a dolly. The following year, for the 33rd Annual Parade, Skaggs created the “Trump Military Parade,” depicting Trump on a tricycle-mounted sling-shot launcher with a 10-foot-tall nuclear missile, accompanied by look-alikes of world leaders including Kim Jong Un and Vladimir Putin. Skaggs also exhibited an effigy of Trump in a witch’s hat with flaming pants in 2018, and took this “Trump’s Kool-Aid Stand” to Trump Tower in 2019. In 2021, he produced a customizable “Trump Presidential Pardon,” followed by a downloadable “Top Secret Cover Sheet for Classified Information” in 2022. That year, he distributed “Putin Protest Masks” during the 37th Annual Parade to protest the war in Ukraine. In 2024, during the 39th Annual Parade, giant images of Skaggs as the Grim Reaper with his “Democracy at the Guillotine” sculpture were displayed on a billboard truck that traversed New York City.[59][60]
See also
[edit]- Alfred Jarry
- Jonathan Swift, or A Modest Proposal
- Mark Twain
- H. L. Mencken
- P. T. Barnum
- Poor Richard's Almanack
- Marcel Duchamp
- Improvisation
- Pataphysics
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